Spanish Studies in Shakespeare and His ContemporariesJosé Manuel González Fernández de Sevilla Spanish Studies in Shakespeare and His Contemporaries offers aselection of the most significant studies on Shakespeare and hiscontemporaries from a variety of perspectives in order to present a freshand inclusive vision of Shakespearean criticism in Spain to reach aworldwide readership. Plurality, maturity, and diversity are itsoutstanding characteristics as the transition has given shape to newcritical attitudes, readings, and approaches in the analysis and study ofShakespeare in the new Spain. |
From inside the book
Results 1-5 of 44
Page 6
... Adaptations of Ben Jonson's Volpone 262 PURIFICACIÓN RIBES The Duchess of Malfi and El mayordomo de la duquesa de Amalfi Revisited : Some Differences in Literary Convention and Cultural Horizon 299 LUCIANO GARCÍA Contributors ...
... Adaptations of Ben Jonson's Volpone 262 PURIFICACIÓN RIBES The Duchess of Malfi and El mayordomo de la duquesa de Amalfi Revisited : Some Differences in Literary Convention and Cultural Horizon 299 LUCIANO GARCÍA Contributors ...
Page 9
... adaptation of Macbeth was presented by the Schiller Theater Werkstatt from Berlin , and Ri- cardo Bartis's adaptation of Hamlet ( o la guerra de los teatros ) was staged by the Companfa del Teatro San Martin from Buenos Aires . The ...
... adaptation of Macbeth was presented by the Schiller Theater Werkstatt from Berlin , and Ri- cardo Bartis's adaptation of Hamlet ( o la guerra de los teatros ) was staged by the Companfa del Teatro San Martin from Buenos Aires . The ...
Page 10
... adaptation to " Multiple cultural identities which share a social - political space . " 13 Two major critical works ... adaptations of Shakespeare's plays . TOWARD THE WORLD SHAKESPEARE CONGRESS AND BEYOND The year 1998 10 JOSÉ MANUEL ...
... adaptation to " Multiple cultural identities which share a social - political space . " 13 Two major critical works ... adaptations of Shakespeare's plays . TOWARD THE WORLD SHAKESPEARE CONGRESS AND BEYOND The year 1998 10 JOSÉ MANUEL ...
Page 12
... adaptations of Shake- speare's plays were seen in the 2004 Almagro Festival , which has always given a special place to Shakespearean performances . Once more it was the national focus of theatrical activity for Shakespear- ean ...
... adaptations of Shake- speare's plays were seen in the 2004 Almagro Festival , which has always given a special place to Shakespearean performances . Once more it was the national focus of theatrical activity for Shakespear- ean ...
Page 14
... adapted the notion of the stranger in Spain during the nine- teenth century . Ana Maria Manzanas deals with the importance of ethnicity in making Othello a colonial subject who has absorbed European cul- ture and morality and has ...
... adapted the notion of the stranger in Spain during the nine- teenth century . Ana Maria Manzanas deals with the importance of ethnicity in making Othello a colonial subject who has absorbed European cul- ture and morality and has ...
Contents
7 | |
Spanish Studies in Shakespeare and His Contemporaries | 17 |
Manuscripts and Editions | 19 |
A New Spanish Manuscript from the Romantic Period | 21 |
Shakespeare and Cervantes | 43 |
The Poetry of Shakespeare and His Contemporaries | 59 |
Outlining Possibilities Sometimes Humorous for Sonnet 18 | 61 |
Shakespeares Departure from the Ovidian Myth of Venus and Adonis | 73 |
A Study of Antony and Cleopatra | 171 |
Person and Persona | 196 |
Julius Caesar and the Spanish Transition | 205 |
The Theater of Shakespeares Contemporaries | 217 |
The Philosophy of Death in Christopher Marlowes Dr Faustus | 219 |
Gender Marking through Syntactic Distribution in the Jacobean Theater | 234 |
The Court Drama of Ben Jonson and Calderon | 250 |
Spanish Adaptations of Ben Jonsons Volpone | 262 |
John Donne Francisco de Quevedo and the Construction of Subjectivity in Early Modern Poetry | 89 |
Shakespeare Plays Critical Interpretations and Stage Productions | 115 |
Otelo in Romantic Spain | 117 |
Othello | 130 |
Shakespeares Romeo and Juliet and Male Melodrama | 148 |
Some Differences in Literary Convention and Cultural Horizon | 299 |
Notes on Contributors | 311 |
314 | |
322 | |
Other editions - View all
Common terms and phrases
action adaptation Adonis African Antony Antony's audience Barcelona becomes behavior Ben Jonson Borrás Brabantio Calderón Caliche Celia Cervantes characters classical Cleopatra contemporary culture death Don Quixote Donne Donne's drama Duchess of Malfi editing editors Elizabethan English expression fact Faustus Faustus's feeling female Francisco de Quevedo Herrera heterosexual homosocial Iago Ibid interpretation Isidoro Jonson José Manuel González Juan Julius Caesar king literary literature London lovers Madrid male María marriage melodrama Mercutio modern Moor moral Mosca narrative nature Neoplatonic original Otelo Othello passion performed Petrarch play play's poem poet poetic poetry political present Quevedo Quixote relationship Renaissance role Romains Romantic Romeo and Juliet sainete scene Schlegel seems seventeenth-century sexual Shake Shakespeare Shakespearean criticism social sonnet Sonnet 18 Spain Spanish speare speech stage Teatro textual theater theatrical thou tion tradition tragedy tragical translation Tybalt Venetian violent Volpone Volpone's women words Zweig's