Spanish Studies in Shakespeare and His ContemporariesJosé Manuel González Fernández de Sevilla Spanish Studies in Shakespeare and His Contemporaries offers aselection of the most significant studies on Shakespeare and hiscontemporaries from a variety of perspectives in order to present a freshand inclusive vision of Shakespearean criticism in Spain to reach aworldwide readership. Plurality, maturity, and diversity are itsoutstanding characteristics as the transition has given shape to newcritical attitudes, readings, and approaches in the analysis and study ofShakespeare in the new Spain. |
From inside the book
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Page 14
... body of the play , where individuals are used as puppets to serve the king's political aims . Criticism of theatrical productions has been traditionally ignored in Spain . Scholars have paid little attention to the review and analysis ...
... body of the play , where individuals are used as puppets to serve the king's political aims . Criticism of theatrical productions has been traditionally ignored in Spain . Scholars have paid little attention to the review and analysis ...
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Contents
7 | |
Spanish Studies in Shakespeare and His Contemporaries | 17 |
Manuscripts and Editions | 19 |
A New Spanish Manuscript from the Romantic Period | 21 |
Shakespeare and Cervantes | 43 |
The Poetry of Shakespeare and His Contemporaries | 59 |
Outlining Possibilities Sometimes Humorous for Sonnet 18 | 61 |
Shakespeares Departure from the Ovidian Myth of Venus and Adonis | 73 |
A Study of Antony and Cleopatra | 171 |
Person and Persona | 196 |
Julius Caesar and the Spanish Transition | 205 |
The Theater of Shakespeares Contemporaries | 217 |
The Philosophy of Death in Christopher Marlowes Dr Faustus | 219 |
Gender Marking through Syntactic Distribution in the Jacobean Theater | 234 |
The Court Drama of Ben Jonson and Calderon | 250 |
Spanish Adaptations of Ben Jonsons Volpone | 262 |
John Donne Francisco de Quevedo and the Construction of Subjectivity in Early Modern Poetry | 89 |
Shakespeare Plays Critical Interpretations and Stage Productions | 115 |
Otelo in Romantic Spain | 117 |
Othello | 130 |
Shakespeares Romeo and Juliet and Male Melodrama | 148 |
Some Differences in Literary Convention and Cultural Horizon | 299 |
Notes on Contributors | 311 |
314 | |
322 | |
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Common terms and phrases
action adaptation Adonis African Antony Antony's audience Barcelona becomes behavior Ben Jonson Borrás Brabantio Calderón Caliche Celia Cervantes characters classical Cleopatra contemporary culture death Don Quixote Donne Donne's drama Duchess of Malfi editing editors Elizabethan English expression fact Faustus Faustus's feeling female Francisco de Quevedo Herrera heterosexual homosocial Iago Ibid interpretation Isidoro Jonson José Manuel González Juan Julius Caesar king literary literature London lovers Madrid male María marriage melodrama Mercutio modern Moor moral Mosca narrative nature Neoplatonic original Otelo Othello passion performed Petrarch play play's poem poet poetic poetry political present Quevedo Quixote relationship Renaissance role Romains Romantic Romeo and Juliet sainete scene Schlegel seems seventeenth-century sexual Shake Shakespeare Shakespearean criticism social sonnet Sonnet 18 Spain Spanish speare speech stage Teatro textual theater theatrical thou tion tradition tragedy tragical translation Tybalt Venetian violent Volpone Volpone's women words Zweig's