Perception and Imaging: Photography a Way of Seeing

Front Cover
Taylor & Francis, 2013 - Art - 400 pages

When you look at an image, what do you see and feel? What do you want your audience to see and feel when they view your work? In today's digital age, it has become all too easy to randomly click away, without really focusing on what exactly it is that you are trying to capture in your shot. For over thirty years, Dr. Richard Zakia helped thousands of photographers hone in on their creative vision through the inspirational, informative text and images included in his classic book, Perception and Imaging. This is so much more than a step-by-step, technical photography instruction manual. Instead, it explores the fundamental act of photography--in other words, seeing--through a uniquely comprehensive combination of technique, history, visual perception, philosophy, and psychology. Photographers of all levels will benefit from the information in this book, because it will help you to think more clearly about what it is that you want to convey in your images, no matter what level you are at in terms of technical skill.

- Includes inspirational images from some of the world's most well-known photographers, such as Henri Cartier-Bresson and Man Ray

- All new coverage on what perception means for your photography in the digital age

- New sections on conceptual, contemplative, and black-and-white photography

- New additions about the use of negative space, metaphors, realism, and the rule of thirds in photography

 

Contents

1 Selection
1
2 Gestalt Grouping
25
3 Memory and Association
69
4 Space Time and Color
109
5 Contours
161
6 Illusion and Ambiguity
179
7 The Morphics
199
8 Personality
215
11 Rhetoric
301
12 Black and White Photography by Thom Halls
337
Additional Concepts
351
Answers to Selected Exercises
369
Ads from the Past
373
Bibliography
381
Index
387
Index to Quotes
399

9 Subliminals
253
10 Critiquing Photographs
275

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About the author (2013)

Dr. Richard D. Zakia, Ed.D., Professor Emeritus at Rochester Institute of Technology, taught in many areas of photography and served as the chair of the Fine Art Photography Department and Graduate Program in Imaging Arts. He was the recipient of the Eisenhart Outstanding Teaching Award and the author/co-author of twelve books on photography, including The Focal Encyclopedia of Photography, Teaching Photography, Photographic Composition: A Visual Guide, and his final book, the 4th edition of Perception and Imaging.

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