Brazilian Popular Music and Globalization

Front Cover
Charles A. Perrone, Christopher Dunn
Routledge, Jan 11, 2013 - Music - 272 pages
This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
 

Contents

Internationalization in Brazilian Popular Music
1
2 Carmen Mirandadada
39
Black Orpheus Orfeu and Internationalization in Brazilian Popular Music
46
4 Tropicália Counterculture and the Diasporic Imagination in Brazil
72
Globalization as Seen through a Brazilian Pop Prism
96
The Tropicalist Revival
106
7 Defeated Rallies Mournful Anthems and the Origins of Brazilian Heavy Metal
123
8 The Localization of Global Funk in Bahia and in Rio
136
Reggae Black Counterculture and Globalization in Brazil
192
A Case of LongDistance Belonging
207
Music and Subjectivity in a Global Context
220
Maracatu de Baque Virado and Chico Science
233
Mestre Ambrosio
245
16 Good Blood in the Veins of This Brazilian Rio or a Cannibalist Transnationalism
258
Contributors
271
Copyrights and Acknowledgments
273

Geographic Space and Representation of Identity in the Carnival of Salvador Bahia
161
Ethnicity Activism and Art in a Globalized Carnival Community
177
Index
277
Copyright

Other editions - View all

Brazilian Popular Music & Globalization
Charles A. Perrone,Christopher Dunn
Limited preview - 2002
Brazilian Popular Music & Globalization
Charles A. Perrone,Christopher Dunn
No preview available - 2002
Brazilian Popular Music and Globalization
Charles A. Perrone,Christopher Dunn
No preview available - 2001
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Common terms and phrases

aesthetic African Afro-Bahian Afro-Brazilian album artists axé music Bahia band baque virado Black Atlantic black music Black Orpheus blocos afro bossa nova brasileira Brazil Brazilian music Brazilian popular music Caetano Veloso Candomblé Carlinhos Brown Carlos Carmen Miranda Carnival Chico Science contemporary context countercultural critical critique death metal diaspora discourse drums Editora emerged ethnic favela festival film forms funk dance funkeiros genre Gilberto Gil global guitar hip-hop identity Ilê Aiyê Jamaica jazz João Jorge Latin American maracatu maracatu de baque Mestre Milton modern movement música musicians Mutantes Nação negro ofBrazilian ofthe Olodum Orfeu Paulo percussion performance Pernambuco play political Portuguese production racial radio Recife record reggae rhythms Rio de Janeiro rock Salvador samba school samba-reggae Santos São Paulo Sérgio social song sound styles symbolic theme tion Tom Zé tradition transnational Tropicália Tropicalist University urban world music youth

About the author (2013)

Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL.Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.

Bibliographic information

TitleBrazilian Popular Music and Globalization
EditorsCharles A. Perrone, Christopher Dunn
Editionreprint
PublisherRoutledge, 2013
ISBN1136612769, 9781136612763
Length272 pages
Subjects ›  › 

Music / General
Social Science / Ethnic Studies / General
  
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