Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page ix
... Imogen and Posthumus 3. Imogen and Pisanio 4. On the Acting of this Play , as last revived at Drury- Lane ; and chiefly on the performance of the part of Imogen IV . CHARACTERS IN MACBETH ' : - 95 95 1. Macbeth and Lady Macbeth , until ...
... Imogen and Posthumus 3. Imogen and Pisanio 4. On the Acting of this Play , as last revived at Drury- Lane ; and chiefly on the performance of the part of Imogen IV . CHARACTERS IN MACBETH ' : - 95 95 1. Macbeth and Lady Macbeth , until ...
Page xv
... especially exemplified in that elaborate examination of the character of Imogen , which forms one portion of the * ' Literary Remains , ' vol . ii . pp . 51-3 . present volume , " the nobler and richer the ideal PREFACE . XV.
... especially exemplified in that elaborate examination of the character of Imogen , which forms one portion of the * ' Literary Remains , ' vol . ii . pp . 51-3 . present volume , " the nobler and richer the ideal PREFACE . XV.
Page xxiii
... Imogen . The writer of these pages is peculiarly bound to acknowledge his obligations to the artist here in question . To the study of her Shakespearian performances , amid the dearth of high poetic art upon our stage , he mainly owes ...
... Imogen . The writer of these pages is peculiarly bound to acknowledge his obligations to the artist here in question . To the study of her Shakespearian performances , amid the dearth of high poetic art upon our stage , he mainly owes ...
Page 41
... to how far the present Lady Faulconbridge fulfils this condition . It is just one of those points whereupon each auditor must be left to judge for himself . We III . CHARACTERS IN CYMBELINE . ' 1. IMOGEN AND E 2 THE LADY BLANCH , & c . 41.
... to how far the present Lady Faulconbridge fulfils this condition . It is just one of those points whereupon each auditor must be left to judge for himself . We III . CHARACTERS IN CYMBELINE . ' 1. IMOGEN AND E 2 THE LADY BLANCH , & c . 41.
Page 42
... IMOGEN AND POSTHUMUS . [ March 11th , 1843. ] THE true subject of Cymbeline ' is , the trial of heroic affection in the bosom of a wife , and its triumph , not only wrought in the deepest sympathies of mankind at large , but in the ...
... IMOGEN AND POSTHUMUS . [ March 11th , 1843. ] THE true subject of Cymbeline ' is , the trial of heroic affection in the bosom of a wife , and its triumph , not only wrought in the deepest sympathies of mankind at large , but in the ...
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acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee thou art tion true Tybalt weird sisters wife woman words youth