Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page 8
... beauty , and logical acuteness , seems but imperfectly to have apprehended the inmost spirit of Shakespeare as the great dramatic artist . This fundamental deficiency , leaving him without that sure guide which he would otherwise have ...
... beauty , and logical acuteness , seems but imperfectly to have apprehended the inmost spirit of Shakespeare as the great dramatic artist . This fundamental deficiency , leaving him without that sure guide which he would otherwise have ...
Page 12
... beauty , and poetry , for all time , in the universal heart of mankind , over the very meanness , selfishness , and crime , which oppress and crush them for the hour . Whatever doubts might exist at the historic period in question , as ...
... beauty , and poetry , for all time , in the universal heart of mankind , over the very meanness , selfishness , and crime , which oppress and crush them for the hour . Whatever doubts might exist at the historic period in question , as ...
Page 14
... beauty which the poet has ascribed to the princely boy , which is made to affect the hearts of all who approach him , even the rudest of his uncle's creatures , and gives to this only orphan child the crowning endearment to his widowed ...
... beauty which the poet has ascribed to the princely boy , which is made to affect the hearts of all who approach him , even the rudest of his uncle's creatures , and gives to this only orphan child the crowning endearment to his widowed ...
Page 15
... beauty more explicitly from the impression which it makes upon those around her - especially from the exclamations of King Philip on beholding her distress for Arthur's loss , the greater part of which we regret to find omitted in the ...
... beauty more explicitly from the impression which it makes upon those around her - especially from the exclamations of King Philip on beholding her distress for Arthur's loss , the greater part of which we regret to find omitted in the ...
Page 16
... beauty , the logic and the poetry of the character , that it is most essential to consider . And here we are called upon to dissent materially from the view of this matter which Mrs. Jameson has exhibited at some length . In com ...
... beauty , the logic and the poetry of the character , that it is most essential to consider . And here we are called upon to dissent materially from the view of this matter which Mrs. Jameson has exhibited at some length . In com ...
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acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee thou art tion true Tybalt weird sisters wife woman words youth