Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page xiii
... imagination into the most concentrated of all poetic forms — the form which , in its very nature , is yet more indicative and suggestive than it is expressive - the form which not merely admits , but which demands living impersonation ...
... imagination into the most concentrated of all poetic forms — the form which , in its very nature , is yet more indicative and suggestive than it is expressive - the form which not merely admits , but which demands living impersonation ...
Page xxii
... imagination , those rich , exquisite , and versatile powers of expression , with which Nature and culture have so remarkably endowed her , -- have made themselves more known and estimated by the world . Hers is the singular fortune , to ...
... imagination , those rich , exquisite , and versatile powers of expression , with which Nature and culture have so remarkably endowed her , -- have made themselves more known and estimated by the world . Hers is the singular fortune , to ...
Page xxiii
... imaginative , and im- passioned , as well as intellectual and heroic , flesh and blood . The Grecian fire inspired the Grecian grace . An Antigone is elder sister to an Imogen . The writer of these pages is peculiarly bound to ...
... imaginative , and im- passioned , as well as intellectual and heroic , flesh and blood . The Grecian fire inspired the Grecian grace . An Antigone is elder sister to an Imogen . The writer of these pages is peculiarly bound to ...
Page 18
... imagination , which lends to the cha- racter its rich poetical colouring , leaves the other qualities comparatively subordinate . ” Following out this view of the matter , Mrs. Jame- son speaks of the dramatic Constance as " a generous ...
... imagination , which lends to the cha- racter its rich poetical colouring , leaves the other qualities comparatively subordinate . ” Following out this view of the matter , Mrs. Jame- son speaks of the dramatic Constance as " a generous ...
Page 19
... imagination which in the The omission of this passage in acting , mutilates the develope- ment of the intellectual part of this interesting character . end turns sorrow to frenzy , " - and calls THE LADY CONSTANCE . 19.
... imagination which in the The omission of this passage in acting , mutilates the develope- ment of the intellectual part of this interesting character . end turns sorrow to frenzy , " - and calls THE LADY CONSTANCE . 19.
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acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee thou art tion true Tybalt weird sisters wife woman words youth