Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page 7
... indicate the central idea , the individual spirit , which informs each one of his greater dramas , and moulds every one of its features in harmony with that peculiar inspiring soul . To descend to those features themselves to trace the ...
... indicate the central idea , the individual spirit , which informs each one of his greater dramas , and moulds every one of its features in harmony with that peculiar inspiring soul . To descend to those features themselves to trace the ...
Page 10
... indicated , devote one or two following papers to the characters of the three royal ladies in that richly various drama , Constance of Bretagne , Elinor of Guienne , and Blanch of Castile- not quite forgetting the Lady Faulconbridge ...
... indicated , devote one or two following papers to the characters of the three royal ladies in that richly various drama , Constance of Bretagne , Elinor of Guienne , and Blanch of Castile- not quite forgetting the Lady Faulconbridge ...
Page 24
... indicated as warping her judgment respecting the essential qualities of the character . " When , " says her biographer , " she patted Lewis on the breast with the words , Thine honour ! oh , thine honour ! ' there was a sublimity in the ...
... indicated as warping her judgment respecting the essential qualities of the character . " When , " says her biographer , " she patted Lewis on the breast with the words , Thine honour ! oh , thine honour ! ' there was a sublimity in the ...
Page 80
... indicates that any such suspicion has once entered her mind . It is the pure innocence of her heart , and the ready playfulness of her fancy , that produce the touchingly sportive wish , that the jewel may not be gone to tell her lord ...
... indicates that any such suspicion has once entered her mind . It is the pure innocence of her heart , and the ready playfulness of her fancy , that produce the touchingly sportive wish , that the jewel may not be gone to tell her lord ...
Page 96
... indicated in commencing these critical notices - that Shakespeare dramatised , not to a reading , but to a seeing and hearing public , -and that for this reason chiefly , amongst others , the more thoroughly any reader shall have ...
... indicated in commencing these critical notices - that Shakespeare dramatised , not to a reading , but to a seeing and hearing public , -and that for this reason chiefly , amongst others , the more thoroughly any reader shall have ...
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Common terms and phrases
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee thou art tion true Tybalt weird sisters wife woman words youth