Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page iii
... interest , is unexcelled by any theme of expository criticism , and which , in relation to British art and poetry , is far above all subjects what- soever . I remain , My Lord , With profound respect , Your Lordship's very humble and ...
... interest , is unexcelled by any theme of expository criticism , and which , in relation to British art and poetry , is far above all subjects what- soever . I remain , My Lord , With profound respect , Your Lordship's very humble and ...
Page 9
... interest which we cannot but feel for the position , personal and artistical , of the representatives of his matchless heroines . Ministering as they do in the noblest of all temples of art and poetry , they seem to us , in their ...
... interest which we cannot but feel for the position , personal and artistical , of the representatives of his matchless heroines . Ministering as they do in the noblest of all temples of art and poetry , they seem to us , in their ...
Page 12
... interest which the poet has attached to the position as well as character of the widowed mother , Constance of Bretagne . Nor is it Shakespeare's fault if the reader or spectator fail to be forcibly reminded of this fact , at numerous ...
... interest which the poet has attached to the position as well as character of the widowed mother , Constance of Bretagne . Nor is it Shakespeare's fault if the reader or spectator fail to be forcibly reminded of this fact , at numerous ...
Page 13
... interest of the concluding act resides , and the satisfaction which it affords to the feelings of the auditor . So far , then , from representing either Arthur or his mother as ambitious , the poet , in legitimate pursuit of his ...
... interest of the concluding act resides , and the satisfaction which it affords to the feelings of the auditor . So far , then , from representing either Arthur or his mother as ambitious , the poet , in legitimate pursuit of his ...
Page 34
... interest vividly through that subsequent portion of the drama , it was requisite that the affliction of the bereaved mother should be brought home to us in its darkest and most heart - rending extreme . The poet , therefore , conducts ...
... interest vividly through that subsequent portion of the drama , it was requisite that the affliction of the bereaved mother should be brought home to us in its darkest and most heart - rending extreme . The poet , therefore , conducts ...
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Common terms and phrases
acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee thou art tion true Tybalt weird sisters wife woman words youth