Studies of Shakespeare in the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet: With Observations on the Criticism and the Acting of Those Plays |
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Page 8
... occasion require it from us . Still less does the authoress of the Characteristics of Women ' seem to us to display that highest artistic as well as philosophically poetic appreciation of Shakespeare's dramatic personages , which can ...
... occasion require it from us . Still less does the authoress of the Characteristics of Women ' seem to us to display that highest artistic as well as philosophically poetic appreciation of Shakespeare's dramatic personages , which can ...
Page 9
... occasion , to consider his principal female characters before enter- ing , except incidentally , on the examination of his male ones . 6 We confess , too , that another feeling- surely a natural and a manly one - inclines us to this ...
... occasion , to consider his principal female characters before enter- ing , except incidentally , on the examination of his male ones . 6 We confess , too , that another feeling- surely a natural and a manly one - inclines us to this ...
Page 17
... occasion . Again , in all her exclamations on the betrayal of her cause by her selfish allies , we find , indeed , all the sensitive and intellectual widow and mother , Oppress'd with wrongs , and therefore full of fears ; but where is ...
... occasion . Again , in all her exclamations on the betrayal of her cause by her selfish allies , we find , indeed , all the sensitive and intellectual widow and mother , Oppress'd with wrongs , and therefore full of fears ; but where is ...
Page 23
... occasion to descant , of regarding her in the grand scene with her treacherous protectors , as possessed by a pride inherent and personal , instead of seeing that her sublime scorn and indignation spring exclusively from her deep , keen ...
... occasion to descant , of regarding her in the grand scene with her treacherous protectors , as possessed by a pride inherent and personal , instead of seeing that her sublime scorn and indignation spring exclusively from her deep , keen ...
Page 24
... occasion , however appalling , be termed frantic . In all this , the poet , ever true to nature , has observed a due gradation . Here , indeed , is grief in its utmost , its proudest intensity ; but here is no despair - she is not even ...
... occasion , however appalling , be termed frantic . In all this , the poet , ever true to nature , has observed a due gradation . Here , indeed , is grief in its utmost , its proudest intensity ; but here is no despair - she is not even ...
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acting actress affection already ambition apprehension auditor Banquo Beat Beatrice beauty Benedick Benvolio breast breath character charm cousin critic Cymbeline death dignity doth dramatic dramatist Duncan Elinor exclamation expression exquisite eyes false father Faulconbridge fear feeling feminine genius gentle give grace Guiderius hand hath hear heart heaven Helen Faucit hero heroine heroine's histrionic honour husband Iachimo ideal imagination Imogen intellect Jameson Juliet king Lady Constance Lady Macbeth Leonatus less lips living look lord lover Macduff marriage Mercutio mind moral murder nature noble Nurse observe once Orlando passage passion peculiarly performance person piece Pisanio play poet poetical Posthumus present racter remorse Romeo Romeo and Juliet Rosalind scene seems selfish Shake Shakespeare Shakespearian shew Siddons Siddons's soul speak spirit stage sweet sympathy tell tender thane theatrical thee thou art tion true Tybalt weird sisters wife woman words youth