French Images from the Greek War of Independence (1821-1830): Art and Politics Under the Restoration

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Yale University Press, Jan 1, 1989 - Art - 176 pages
The Greek struggle against Ottoman rule was a crucial event in the history and politics of nineteenth-century Europe. In particular it had a strong impact on the political and cultural life of France during the Bourbon Restoration, where it was appropriated and promoted as the symbolic spearhead of liberal ideas and of the growing Romantic rebellion. This book by Nina Athanassoglou-Kallmyer examines the French paintings, prints, and sculptures inspired by the Greek War of Independence. Athanassoglou-Kallmyer reinterprets important works by the foremost exponents of the Romantic movement - including Delacroix, Gericault, Horace Vernet, Ary Scheffer, and David d’Angers - showing how they viewed the Greek struggle as a setting for the opposing forces of conservatism and liberalism. She explains that, far from being mere pictorial records of specific war episodes such as the massacre at Chios or the fall of Missolonghi, images of the clashes between Greeks and Turks reflected the mottos and arguments of the French liberal propaganda echoed as well by contemporary newspapers, parliamentary debates, broadsides, pamphlets, popular plays, and poems.
 

Contents

Chapter One
8
Chapter Three
38
Chapter Four
66
Chapter Five
108
Chapter Six
130
Appendix One
152
Map
166
Copyright

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Page 153 - Il consolait, en outre, les malades par tous les moyens de persuasion: il faisait espérer aux uns un soulagement prochain, à d'autres une guérison certaine, et inspirait à tous de la confiance dans l'efficacité des remèdes qu'on employait. Pour éloigner davantage l'effrayante idée d'une contagion subite et incurable, il fit ouvrir devant lui quelques tumeurs pestilentielles et en toucha plusieurs.
Page 153 - ... mèdes qu'on employait. << Pour éloigner davantage l'effrayante idée d'une conta « gion subite et incurable, il fit ouvrir devant lui quelques « tumeurs pestilentielles, et en toucha plusieurs. Il donna, 4< par ce magnanime dévouement , le premier exemple « d'un genre de courage inconnu jusqu'alors, et qui fit « depuis des imitateurs. >> Le Héros se fait reconnaître au premier coup-d'œil ; son expression est celle du calme et de la bienveillance; son attitude est noble et simple; et...

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