Portfolio of an Artist |
From inside the book
Results 1-5 of 48
Page 21
... face of one individual man or woman . There is more room for the skill of the artist : it is better adapted to ... faces which we loved to look upon are redeemed from the grave , and sent to us across deserts and woods and mountains , or ...
... face of one individual man or woman . There is more room for the skill of the artist : it is better adapted to ... faces which we loved to look upon are redeemed from the grave , and sent to us across deserts and woods and mountains , or ...
Page 22
... face ; And , as he sojourned on the Ægean isles , Wooed all their love , and treasured all their smiles ; Then glowed the tints , pure , precious , and refined , And mortal charms seemed heavenly when combined ; Love on the picture ...
... face ; And , as he sojourned on the Ægean isles , Wooed all their love , and treasured all their smiles ; Then glowed the tints , pure , precious , and refined , And mortal charms seemed heavenly when combined ; Love on the picture ...
Page 23
... , than that in which , after his work is over , and with furtive , sidelong glances at what he has done , he is employed in washing his brushes and cleaning his palette for the day . W. Hazlitt . TRUTH . O ! WHO would face the blame of 23.
... , than that in which , after his work is over , and with furtive , sidelong glances at what he has done , he is employed in washing his brushes and cleaning his palette for the day . W. Hazlitt . TRUTH . O ! WHO would face the blame of 23.
Page 24
Rembrandt Peale. TRUTH . O ! WHO would face the blame of just men's eyes , And bear the fame of falsehood all his days , And wear out scorned life with useless lies , Which still the shifting , quivering look betrays . For what is hope ...
Rembrandt Peale. TRUTH . O ! WHO would face the blame of just men's eyes , And bear the fame of falsehood all his days , And wear out scorned life with useless lies , Which still the shifting , quivering look betrays . For what is hope ...
Page 31
... face only , and if mind made up no part of her composition , it would follow that a ball - room was quite as appropriate a place for choosing a wife , as an exhibition - room for choosing a picture . But , inasmuch as women are not mere ...
... face only , and if mind made up no part of her composition , it would follow that a ball - room was quite as appropriate a place for choosing a wife , as an exhibition - room for choosing a picture . But , inasmuch as women are not mere ...
Other editions - View all
PORTFOLIO OF AN ARTIST Rembrandt 1778-1860 Peale, Comp,Marian S. Carson Collection (Library of No preview available - 2016 |
Common terms and phrases
Addison admiration agreeable Anon artist Barry Cornwall beam beauty behold bloom breath bright brow Byron canvass character charms clouds colours Cowper D'Israeli dark delight divine dreams earth enjoyment face fade fair fancy feeling flowers genius glory glow GOTHIC ARCHITECTURE grace Greece happiness harmony hath heart heaven hues human Hume imagination imitation intellectual Johnson Julius Cæsar kindred labour light lips living look lustre lyre M. A. Shee mankind memory mind moral mountain muse N. P. Willis nature Nature's O. W. Holmes o'er object P. M. Wetmore painter painting passions pencil perfection picture pleasure poet poetry Pope portrait praise R. H. Dana refinement REMBRANDT PEALE rience S. T. Coleridge scene sense sentiment shade shine sight smiles song soul spirit Stickney sublime sweet taste thee things thou art thought touch truth Verplanck virtue visions voice W. C. Bryant wild Winkelman wonder youth