 The Author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called...  Lyra Heroica: A Book of Verse for Boys - Page 351by William Ernest Henley - 1891 - 364 pagesFull view - About this book
 | Samuel Taylor Coleridge - 1816 - 242 pages
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink,... | |
 | English literature - 1816 - 592 pages
...lines of poetry — " if that indeed," says be, ' can be called composition, in which all the nuages rose up before him as things, with a parallel production...any sensation, or consciousness of effort." — On awaking he began to write down these effusions ; but being called off, and detained above an hour,... | |
 | 1816 - 676 pages
...confidence that he could not have composed less than from two to three hundred lines; if that, indeed, can be called composition in which all the images...things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
 | Samuel Taylor Coleridge - 1828 - 374 pages
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen ink,... | |
 | Samuel Taylor Coleridge - 1829 - 400 pages
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions,...without any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking his pen, ink,... | |
 | English literature - 1829 - 558 pages
...of this composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
 | Robert Macnish - Hygiene - 1834 - 310 pages
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking his pen,... | |
 | Robert Macnish - Sleep - 1834 - 362 pages
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...without any sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole: and, taking his pen,... | |
 | Samuel Taylor [poetical works] Coleridge - 1834 - 312 pages
...two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production...without any sensation or consciousness of effort. On awaking he appeared to him•elf to have a distinct recollection of the whole, and taking hi* pen,... | |
 | Samuel Taylor Coleridge - English poetry - 1835 - 320 pages
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
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