The Proper Study: Essays on Western ClassicsQuentin Anderson, Joseph Anthony Mazzeo |
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Page 117
... follow . To begin with : we must assume that there would be a Chorus of satyrs . Heracles is the natural centre and leader of their band ; compare the posi- tion of Silenus in the Cyclops . Taking this as given , we may so far follow ...
... follow . To begin with : we must assume that there would be a Chorus of satyrs . Heracles is the natural centre and leader of their band ; compare the posi- tion of Silenus in the Cyclops . Taking this as given , we may so far follow ...
Page 228
... follow them strictly as laws . The mass of mankind can be carried along a course full of hardship for the natural ... follow without wavering ; even though I turn coward and shrink , I shall have to follow all the same . " The fortitude ...
... follow them strictly as laws . The mass of mankind can be carried along a course full of hardship for the natural ... follow without wavering ; even though I turn coward and shrink , I shall have to follow all the same . " The fortitude ...
Page 238
... follow after . And again : We ought to check in the series of our thoughts everything that is without a purpose and useless , but most of all the over - curious feeling and the malig- nant ; and a man should use himself to think of ...
... follow after . And again : We ought to check in the series of our thoughts everything that is without a purpose and useless , but most of all the over - curious feeling and the malig- nant ; and a man should use himself to think of ...
Contents
HOMER The Iliad or The Poem of Force | 3 |
HOMER Odysseus Scar | 30 |
AESCHYLUS Introduction to the Oresteia | 51 |
Copyright | |
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The Proper Study: Essays on Western Classics Quentin Anderson,Joseph Anthony Mazzeo No preview available - 1962 |
Common terms and phrases
action Admetus Aegisthus Aeneas Aeneid Aeschylus Agamemnon Ajax Alceste Alceste's Antigone appears Aristophanes Aristotle Athens becomes Célimène character chorus Christian Claudius Clytaemestra comedy comic conscious crime criticism Dante death Dido divine Don Quixote drama dream emotions epic essay Euripides evil expression fact fear feeling force Freud genius Goethe Goethe's Greek Hamlet Heracles hero Homer human idea ideal Iliad imagination kind king Kômos Laertes legend live lyric Machiavelli Marcus Aurelius means Melville mind Moby-Dick Molière Montaigne moral murder nature never object Odysseus Oedipus Orestes passion perhaps philosopher pity Plato play poem poet poetic poetry political Raskolnikov reader reality reason ritual scene seems sense Shakespeare Socrates Sophocles soul spirit Stendhal story symbolic things thou thought Thucydides tion tradition tragedy tragic Trojans Troy true truth Vergil vision whole words Wordsworth write