Russia & Europe in the Nineteenth Century |
Contents
3 | |
Section 2 | 7 |
Section 3 | 23 |
Section 4 | 25 |
Section 5 | 32 |
Section 6 | 134 |
Section 7 | 135 |
Section 8 | 157 |
Section 9 | 161 |
Section 10 | 163 |
Section 11 | 235 |
Section 12 | |
Common terms and phrases
Academy of Arts Aivazovsky Alexander Alexei Antwerp Arkhip Kuindzhi Art inventory became Biedermeier career Carl Spitzweg catalogue Chuguyev church colour composition contemporary Cossacks Courbet created depicted Detail drawings Dutch exhibited foreground Franken French Gallery genre scenes Grimshaw Hackert Harlamoff Hermitage horses Ilya Repin Ilya Yefimovich Repin Imperial Academy included influence Ivan Shishkin John Atkinson Grimshaw Klodt Konstantin Kuindzhi landscape painting London lower left lower right Makovsky's Moscow Munich Museum Nikolai nineteenth century oil on canvas oil on panel Old Masters painter palette Paris peasant Peredvizhniki Petersburg picture portrait Private Collection Figure Provenance Realist River romantic Rome Roy Bolton Royal Academy Russian art Russian artists Russian landscape Salomon de Bray Samarkand School seventeenth century signed and dated signed in Cyrillic Society Sphinx Fine Art studied style subject matter Tallinn Tbilisi travelled Tsar Tsarskoye Selo Ukraine Vernet View viewer watercolour whilst William Powell Frith