 Talking is the direct object of the imitation here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, is only a medium, and often a highly artificial one, for...  The Prose Works of Charles Lamb - Page 103by Charles Lamb - 1836Full view - About this book
 | Leigh Hunt - English literature - 1811 - 510 pages
...obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, is only a medinm, and often a highly artificial one, for putting the...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | 1815 - 558 pages
...in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of spealdng, whether it be in soliloquy or dialogue, is only a...which he could otherwise never have arrived at in thai form of composition by any gift short of intuition. We do here as we do with novels written in... | |
 | 1815 - 554 pages
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | 1815 - 628 pages
...above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, \s only a medium, and often a highly artificial one,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1818 - 288 pages
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. 8 ON SHAKSFEARE'S TRAGEDIES. We do here as we do with novels written in the epistolary form. How many... | |
 | Charles Lamb - 1835 - 390 pages
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ot speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1835 - 376 pages
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ot speaking, whether it be in soliloquy or dialogue,...form of' composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - Essays - 1835 - 440 pages
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ol speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb, Thomas Noon Talfourd - 1838 - 486 pages
...here. But in all the best dramas, and in Sluikspeare above all. how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - English literature - 1850 - 444 pages
...imitation here. But in all the best dramas, and in Shakspeare above all how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...structure and workings of mind in a character, which he qpuld otherwise never have arrived at in that form of composition by any gift short of intuition. We... | |
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