Basics Photography 06: Working in Black & WhiteBasics Photography 06: Working in Black & White, by David Präkel, provides a comprehensive guide to the basic theory and practice of black and white photography, from the relationship between colour and greyscale tones to the art of seeing in black and white. |
Contents
How to get the most out of this book | |
Introduction | |
Basic theory | |
The art of black and white | |
Lighting | |
Capturing black and white | |
Realising the image | |
Reintroducing colour | |
Conclusion | |
Contacts | |
Glossary | |
Acknowledgements | |
Back Cover | |
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Common terms and phrases
Adobe Lightroom areas Black & White black and white black ink black-and-white conversion black-and-white film black-and-white image black-and-white photography black-and-white print blue Camera Raw capture channels chemical chromogenic Colour filters colour image contact printing create curve cyanotype dark darken darkroom David G Präkel density digital camera digital negatives dodge and burn duotone effect emulsion enlarger exposed exposure not recorded film grain film negative film speed finished print give green grey tones greyscale greyscale conversion greyscale image histogram Hue/Saturation Ilford Photo image-editing software infrared inkjet printer Kodak landscape Leica R8 lens lenses light meter look magenta medium mid-grey midtone mode Nikon noise original photographic paper photosensitive Photoshop pixels Polarisers Polaroid presets produce scan scanner sensitivity sepia shutter speed silver gelatin stops subject brightness range Technical summary technique TennCare texture tonal range Underexposure van Dyke brown variable-contrast visible spectrum yellow Zoom-Nikkor