Continuum Encyclopedia of Popular Music of the World, Volume 2: Performance and Production, Volume 2

Front Cover
John Shepherd, David Horn, Dave Laing, Paul Oliver, Peter Wicke
A&C Black, May 8, 2003 - Social Science - 712 pages
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
 

Contents

Musical Production and Transmission
179
Musical Instruments
271
Musical Form and Practise
501

Common terms and phrases

About the author (2003)

John Shepherd is Chancellor's Processor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2012-2017 Carleton Vice-Provost and Associate Vice-President (Academic). Dr. Shepherd has been a member of EPMOW's editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role "as a leading architect of a post-War critical musicology.†?

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time.

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry.

Paul Oliver is a Fellow of Oxford Brookes University.

Bibliographic information