Long. I'll stay with patience; but the time Jaquenetta to hold the plough for her sweet is long. love three years. But, most esteemed greatness, will you hear the dialogue that the two learned men have compiled in praise of the owl and the cuckoo? it should have followed in the end of our show. Mar. The liker you; few taller are so young. Biron. Studies my lady? mistress, look on me; Behold the window of my heart, mine eye, What humble suit attends thy answer there : Impose some service on me for thy love. Ros. Oft have I heard of you, my lord Biron, Before I saw you; and the world's large tongue Proclaims you for a man replete with mocks, Visit the speechless sick, and still converse Biron. To move wild laughter in the throat It cannot be; it is impossible: [of death? Mirth cannot move a soul in agony. [spirit, Ros. Why, that's the way to choke a gibing Whose influence is begot of that loose grace Which shallow laughing hearers give to fools: A jest's prosperity lies in the ear Of him that hears it, never in the tongue Will hear your idle scorns, continue them, Biron. A twelvemonth! well, befall what will befall, I'll jest a twelvemonth in a hospital. Prin. [To the King.] Ay, sweet my lord; and so I take my leave. your way. King. No, madam: we will bring you on (old play; Biron. Our wooing doth not end like an Jack hath not Jill; these ladies' courtesy Might well have made our sport a comedy. King. Come, sir, it wants a twelvemonth And then 'twill end. [and a day, Biron. That's too long for a play. Enter Armado. Dum. The worthy knight of Troy. Spring. SONG. When daisies pied, and violets blue, Do paint the meadows with delight, Cuckoo, cuckoo,-O, word of fear! When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, The cuckoo then, on every tree, Cuckoo, cuckoo,-O, word of fear! Winter. When icicles hang by the wall, And Dick the shepherd blows his nail, And milk comes frozen home in pail, To-whit, to-who, a merry note, And coughing drowns the parson's saw, And Marian's nose looks red and raw, To-whit, to-who, a merry note, Arm. The words of Mercury are harsh after Arm. I will kiss thy royal finger, and take the songs of Apollo. You, that way; we, this leave. I am a votary; I have vowed to way. [Exeunt. ACT I. SCENE I.-Athens. A Room in the Palace of Theseus. Enter Theseus, Hippolyta, Philostrate, and Attendants. The. Now, fair Hippolyta, our nuptial hour Four nights will quickly dream away the time; The. Ege. Happy be Theseus, our renowned Against my child, my daughter Hermia.- This man hath my consent to marry her. And interchang'd love-tokens with my child: heart; Turn'd her obedience, which is due to me, Be it so she will not here before your grace I beg the ancient privilege of Athens; The. What say you, Hermia? be advis'd, To you, your father should be as a god ; In himself he is; The other must be held the worthier. eves. The. Rather, your eyes must with his judgment look. Her. I do entreat your grace to pardon me. I know not by what power I am made bold, Nor how it may concern my modesty, In such a presence here to plead my thoughts; The. Either to die the death, or to abjure For ever the society of men. Therefore, fair Hermia, question your desires: Know of your youth, examine well your blood, Whether, if you yield not to your father's choice, [moon. You can endure the livery of a nun; To undergo such maiden pilgrimage: Grows, lives, and dies, in single blessedness. next new moon, (The sealing-day betwixt my love and me Dem. Relent, sweet Hermia :-and, sander, yield Thy crazed title to my certain right. The. I must confess that I have heard so much, [thereof; And with Demetrius thought to have spoke But, being over-full of self-affairs, My mind did lose it.-But, Demetrius, come; And come, Egeus: you shall go with me, I have some private schooling for you both.For you, fair Hermia, look you arm yourself To fit your fancies to your father's will; Or else the law of Athens yields you up (Which by no means we may extenuate) To death, or to a vow of single life.Come, my Hippolyta : what cheer, my love?— Demetrius, and Egeus, go along : I must employ you in some business Against our nuptial; and confer with you Of something nearly that concerns yourselves. Ege. With duty and desire we follow you. [Exeunt Thes., Hip., Ege., Dem., and train. Lys. How now, my love! Why is your cheek so pale? How chance the roses there to fade so fast? Her. Belike, for want of rain, which I could well Beteem them from the tempest of mine eyes. Lys. Ah me! for aught that ever I could Could ever hear by tale or history, [read, The course of true love never did run smooth. But, either it was different in blood, Her. O cross! too high to be enthrall'd to low ! Lys. Or else misgraffèd in respect of years,Her. O spite! too old to be engag'd to young! [friends,Lys. Or else it stood upon the choice of Her. O hell! to choose love by another's eye! Lys. Or, if there were a sympathy in choice, War, death, or sickness, did lay siege to it, Making it momentary as a sound, Swift as a shadow, short as any dream; Brief as the lightning in the collied night, Ly- That, in a spleen, unfolds both heaven and earth, Lys. You have her father's love, Demetrius; Let me have Hermia's: do you marry him. Ege. Scornful Lysander! true, he hath my love; And what is mine my love shall render him; Lys. I am, my lord, as well deriv'd as he, And ere a man hath power to say,-Behold! [cross'd, [sighs, Her. If, then, true lovers have been ever I have a widow aunt, a dowager And she respects me as her only son. And in the wood, a league without the town, Her. And thence from Athens turn away our eyes, From lovers' food till morrow deep midnight. By that which knitteth souls and prospers loves, And by that fire which burn'd the Carthage | Enter Helena. Her. God speed fair Helena ! Whither away? Hel. Call you me fair? that fair again unsay. Demetrius loves your fair : O happy fair! Your eyes are lode-stars; and your tongue's sweet air More tuneable than lark to shepherd's ear, When wheat is green, when hawthorn buds appear. Sickness is catching: O, were favour so, Her. I give him curses, yet he gives me love. Hel. O that my prayers could such affection move! [me. Her. The more I hate, the more he follows Hel. The more I love, the more he hateth me. Her. His folly, Helena, is no fault of mine. Hel. None, but your beauty: would that fault were mine! [my face; Her. Take comfort: he no more shall see Lysander and myself will fly this place. Before the time I did Lysander see, Seem'd Athens as a paradise to me: O, then, what graces in my love do dwell, That he hath turn'd a heaven unto a hell! Lys. Helen, to you our minds we will unfold: To-morrow night, when Phoebe doth behold Her silver visage in the wat'ry glass, Decking with liquid pearl the bladed grass, (A time that lovers' flights doth still conceal,) Through Athens' gates have we devis'd to steal. Her. And in the wood where often you and I Upon faint primrose-beds were wont to lie, Emptying our bosoms of their counsel sweet, There my Lysander and myself shall meet ; [Exit. Hel. How happy some, o'er other some can be! Through Athens I am thought as fair as she. And therefore is wing'd Cupid painted blind: [Exit. SCENE II.—Athens. A Room in a Cottage. Enter Quince, Snug, Bottom, Flute, Snout, and Starveling. Quin. Is all our company here? Bot. You were best to call them generally, man by man, according to the scrip. Quin. Here is the scroll of every man's name, which is thought fit, through all Athens, to play in our interlude before the duke and the duchess on his wedding-day at night. Bot. First, good Peter Quince, say what the play treats on; then read the names of the actors; and so grow to a point. Quin. Marry, our play is-The most lamentable comedy, and most cruel death of Pyramus and Thisby. Bot. A very good piece of work, I assure you, and a merry.-Now, good Peter Quince, call forth your actors by the scroll: Masters, spread yourselves. the weaver. Quin. Answer, as I call you.-Nick Bottom, Bot. Ready. Name what part I am for, and proceed. Quin. You, Nick Bottom, are set down for Pyramus. Bot. What is Pyramus? a lover, or a tyrant? Quin. A lover, that kills himself most gallantly for love. Bot. That will ask some tears in the true performing of it: if I do it, let the audience look to their eyes; I will move storms, I will condole in some measure. To the rest :-yet my chief humour is for a tyrant: I could play Ercles rarely, or a part to tear a cat in, to make all split. The raging rocks This was lofty!-Now name the rest of the Quin. You must take Thisby on you. Quin. That's all one: you shall play it in a mask, and you may speak as small as you will. Bot. An I may hide my face, let me play Thisby too: I'll speak in a monstrous little voice-Thisne, Thisne'-'Ah, Pyramus, my lover dear! thy Thisby dear, and Lady dear!' have no more discretion but to hang us; but I will aggravate my voice so, that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale. Quin. You can play no part but Pyramus; for Pyramus is a sweet-faced man; a proper man, as one shall see in a summer's day; a most lovely, gentleman-like man: therefore, you must needs play Pyramus. Bot. Well, I will undertake it. What beard were I best to play it in? Quin. Why, what you will. Bot. I will discharge it in either your strawcolour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown colour beard, your perfect yellow. Quin. Some of your French crowns have no hair at all, and then you will play bare-faced. -But, masters, here are your parts: and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the palace wood, a mile without the town, by moonlight; there will we rehearse : for if we meet in the city, we shall be dogged with company, and our devices known. In the mean time, I will draw a bill of properties, such as cur play wants. I pray you, fail me not. Bot. We will meet; and there we may rehearse more obscenely, and courageously. Take pains; be perfect; adieu. Quin. At the duke's oak we meet. ACT II. SCENE I.-A Wood near Athens. Quin. No, no; you must play Pyramus: Enter a Faily on one side, and Puck on the and, Flute, you Thisby. Bot. Well, proceed. Quin. Robin Starveling, the tailor. Star. Here, Peter Quince. Quin. Robin Starveling, you must play Thisby's mother.-Tom Snout, the tinker. Snout. Here, Peter Quince. Quin. You, Pyramus's father; myself, Thisby's father-Snug, the joiner, you the lion's part-and, I hope, here is a play fitted. Snug. Have you the lion's part written? pray you, if it be, give it me, for I am slow of study. [nothing but roaring. Quin. You may do it extempore, for it is Bot. Let me play the lion too: I will roar, that I will do any man's heart good to hear me; I will roar, that I will make the duke say, 'Let him roar again, let him roar again.' Quin. An' you should do it too terribly, you would fright the duchess and the ladies, that they would shriek; and that were enough to hang us all. other. Puck. How now, spirit! whither wander Thorough bush, thorough brier, [you? Thorough flood, thorough fire, In those freckles live their savours: Puck. The king doth keep his revels here [son. Take heed the queen come not within his sight; All. That would hang us, every mother's For Oberon is passing fell and wrath, Bot. I grant you, friends, if that you should Because that she, as her attendant, hath fright the ladies out of their wits, they would A lovely boy, stol'n from an Indian king ; |