The Cambridge History of American Literature: Volume 3, Prose Writing, 1860-1920

Front Cover
Sacvan Bercovitch, Cyrus R. K. Patell
Cambridge University Press, 1994 - Literary Criticism - 826 pages
This volume covers a pivotal era in the formation of American identity. Four leading scholars connect the literature with the massive historical changes then underway. Richard Brodhead describes the foundation of a permanent literary culture in America. Nancy Bentley locates the origins of nineteenth century Realism in an elite culture's responses to an emergent mass culture, embracing high literature (writers like William Dean Howells and Henry James) as well as a wide spectrum of cultural outsiders: African Americans, women, and Native Americans. Walter Benn Michaels emphasizes the critical role that turn-of-the-century fiction played in the re-evaluation of the individual at the advent of modern bureaucracy. Susan L. Mizruchi analyzes the literary responses to a new national heterogeneity that helped shape the multicultural future of modern America. Together, these narratives constitute the richest, most detailed account to date of American literature and culture between 1860 and 1920.
 

Contents

The American Literary Field 18601890
11
Museum Realism
65
Howells James and the Republic of Letters
107
3 Women and Realist Authorship
137
Chesnutt and Imperial Spectacle
181
5 Wharton Travel and Modernity
224
Adams James Du Bois and Social thought
247
An American Tragedy or the Promise of American Life
287
Remembering Civil War
421
Social Death and the Reconstruction of Slavery
454
Cosmopolitan Variations
492
NativeAmerican Sacrifice in an Age of Progress
535
Marketing Culture
568
Varieties of Work
616
Corporate America
666
Realist Utopias
710

The Production of Visibility
315
The Contracted Heart
348
Success
376
Introduction
413
Chronology
741
Bibliography
779
Index
785
Copyright

Other editions - View all

Common terms and phrases

About the author (1994)

Sacvan Bercovitch, who is a professor at Harvard University, is probably the most influential critic in American studies today. Tracing the function of rhetoric in American writing from the Puritans through the nineteenth century, Bercovitch has argued that the persuasiveness of rhetoric is in proportion to its capacity to help people act in history. In his books, Bercovitch has revealed the power of American rhetoric as it creates a myth of America that conflates religious and political issues, transforming even the most despairing and critical energies into affirmations of the American way. Among his major arguments is the idea that the rhetoric of America's colonial sermons and histories, founding documents, such as the Declaration of Independence, and novels of the American Renaissance, all participate in the project of transforming what he calls dissensus into rituals of consensus.

Bibliographic information