A Natural History of the Romance Novel

Front Cover
University of Pennsylvania Press, 2003 - Fiction - 224 pages
"The romance novel has the strange honor of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. These scholars tend to regard readers, who are largely women, as passive consumers easily manipulated by romances, attributing the genre's overwhelming appeal to inadequacies and weaknesses in the readers themselves. In A Natural History of the Romance Novel, Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not repress women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining." "Regis asserts that the popular romance novel is a very old, stable form, properly defined as a work of prose fiction that tells the story of the courtship and betrothal of one or more heroines. Arguing that the ending in marriage found so objectionable by critics is hardly the sole governing element, Regis brings to the forefront other, more significant narrative components, such as the reform of a corrupt society and the breakdown of the barrier between hero and heroine. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Bronte's Jane Eyre, Trollope's Framley Parsonage, and Forster's Room with a View, then turns to the twentieth century to examine works such as E.M. Hull's The Sheik and the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts. Situating each novel in its own time while interpreting it through the critical vocabulary she proposes, Regis specifies how romance conventions change yet retain the essential formal requirements of the genre." - Založnikova predstavitev.

From inside the book

Contents

The Romance Novel and Womens Bondage
3
In Defense of the Romance Novel
9
The Definition
19
The Definition Expanded
27
The Genres Limits
47
Writing the Romance Novels History
53
Pamela 1740
63
Jane Eyre 1847
85
Georgette Heyer
125
Mary Stewart
143
Harlequin Silhouette and the Americanization of the Popular
155
Jayne Ann Krentz
169
Nora Roberts
183
Conclusion
205
Index
219
Acknowledgments
225

A Room with a View 1908
99
The Popular Romance Novel in the Twentieth Century
107

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About the author (2003)

Pamela Regis is Professor of English at McDaniel College and the author of Describing Early America: Bartram, Jefferson, Crevecoeur, and the Influence of Natural History, also available from the University of Pennsylvania Press. She is the receipient of the 2007 Melinda Helfer Fairy Godmother Award.

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