Tonal Structures in Early MusicCristle Collins Judd First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company. |
Contents
Analyzing Early Music | 3 |
Preconditions for Analysis | 15 |
Exploring Tonal Structure in French Polyphonic Song of the Fourteenth Century | 61 |
Internal and External Views of the Modes | 87 |
Josquins Gospel Motets and ChantBased Tonality | 109 |
Tonal Coherence and the Cycle of Thirds in Josquins | 155 |
Concepts of Pitch in English Music Theory c 15601640 | 183 |
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Common terms and phrases
altus ambitus analysis antiphon authentic Banchieri's bass Bathe Bathe's Butler cadence cadential Campion cantus durus cantus mollis century church keys Cipriano de Rore clefs composers composition context contratenor counterpoint diatonic dodecachordal early music edition eight erat essays esto verbi tui example fifth final flat Fuga fugues gospel tone grammar harmonic hexachord illo tempore Josquin Josquin des Prez Judd keyboard Livre d'orgue major Mattheson's melodic Memor esto verbi minor modal categories modal theory mode modern Morley Morley's motet Murschhauser Music Theory Nivers's notation notes octave Octi-Tonium pars Phrygian pieces pitch class plagal plainchant polyphony Pontio Prelude principio Prototypon psalm tone psalm-tone psalmody Ravenscroft reciting tone repertory RISM scale seventeenth-century sharp signature solmization solmization syllables sonority tenor theorists tion Tonal Coherence tonal structure tonal types toni transposed transposition treatise triads tune verse versets voices William Bathe Zarlino