Pope, Print, and Meaning
J. McLaverty, Lecturer in the Department of English James McLaverty, Senior Lecturer in English James McLaverty
Oxford University Press, 2001 - Literary Criticism - 257 pages
Pope's fascination with print--with annotations, illustrations, parallel texts, title-pages, revisions-- shapes this reading of his work. The book offers fresh insights into Pope's self-presentation and his relation to his readers: he emerges as a figure marginalized socially, politically, and
sexually, who gambles with his private life in confronting his opponents.
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