Playing Shakespeare: An Actor's GuideNow in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
From inside the book
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Page 3
The Two Traditions Elizabethan and Modern Acting [ The following actors took part in the program that forms the basis of this chapter : MIKE GWILYM , SHEILA HANCOCK , LISA HARROW , ALAN HOWARD , BEN KINGSLEY , IAN MCKELLEN , DAVID ...
The Two Traditions Elizabethan and Modern Acting [ The following actors took part in the program that forms the basis of this chapter : MIKE GWILYM , SHEILA HANCOCK , LISA HARROW , ALAN HOWARD , BEN KINGSLEY , IAN MCKELLEN , DAVID ...
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Lisa Harrow : Elizabethan actors had very little rehearsal , virtually none in our terms . Yes , the diary of an Elizabethan theater manager shows that they might have had as many as forty plays in their repertory in a year .
Lisa Harrow : Elizabethan actors had very little rehearsal , virtually none in our terms . Yes , the diary of an Elizabethan theater manager shows that they might have had as many as forty plays in their repertory in a year .
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Well , I don't think I'll do it in Elizabethan English , but what I might try is to give you my idea of how an Elizabethan actor might have gone for a bit of tricky text . So , I may go a bit far with it and then you can all tell me .
Well , I don't think I'll do it in Elizabethan English , but what I might try is to give you my idea of how an Elizabethan actor might have gone for a bit of tricky text . So , I may go a bit far with it and then you can all tell me .
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Playing Shakespeare: an actor's guide
User Review - Not Available - Book VerdictWalking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Read full review
Contents
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Copyright | |
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Common terms and phrases
acting actor actually Antonio audience balance become beginning believe better break Caesar called changes character clear comes course David Suchet death director don't doth easy Elizabethan emotional example eyes feel follow give goes happens hath hear heart heightened Henry hold Ian McKellen important intention irony it's John kind King language Let's Lisa Harrow listen live look mean Michael mind moved naturalistic nature never once ORSINO passage passion Patrick Stewart pause performance perhaps play poetry prose question reason rehearsal rhythm Richard scene seems sense sentence Shake Shakespeare Shylock situation soliloquy sometimes sonnet sounds speak speech stand stress strong sure talking tell That's theater thee there's thing thou thought tradition true verse VIOLA whole words wrong