Playing Shakespeare: An Actor's GuideNow in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students. |
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Page 19
You kept a fine balance there between the heightened and the naturalistic elements . Balance between these ingredients is something which we're always looking for and we shall keep coming back to that word . The great thing was that the ...
You kept a fine balance there between the heightened and the naturalistic elements . Balance between these ingredients is something which we're always looking for and we shall keep coming back to that word . The great thing was that the ...
Page 20
Let's go back to the point we were making about balance . There has to be a balance between being seemingly natural on the one hand and coming to terms with the heightened language on the other . We've seen what happens if we do the ...
Let's go back to the point we were making about balance . There has to be a balance between being seemingly natural on the one hand and coming to terms with the heightened language on the other . We've seen what happens if we do the ...
Page 52
All acting is a balance between what is worked out and what is spontaneous , isn't it ? Once again I'm back to my favorite word , “ balance . ” Of course if one becomes too verse - conscious that is as bad as to ignore it .
All acting is a balance between what is worked out and what is spontaneous , isn't it ? Once again I'm back to my favorite word , “ balance . ” Of course if one becomes too verse - conscious that is as bad as to ignore it .
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Playing Shakespeare: an actor's guide
User Review - Not Available - Book VerdictWalking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Read full review
Contents
The Two Traditions Elizabethan and Modern Acting | 3 |
Using the Verse Heightened and Naturalistic Verse | 27 |
Language and Character Making the Words Ones Own | 56 |
Copyright | |
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Common terms and phrases
acting actor actually Antonio audience balance become beginning believe better break Caesar called changes character clear comes course David Suchet death director don't doth easy Elizabethan emotional example eyes feel follow give goes happens hath hear heart heightened Henry hold Ian McKellen important intention irony it's John kind King language Let's Lisa Harrow listen live look mean Michael mind moved naturalistic nature never once ORSINO passage passion Patrick Stewart pause performance perhaps play poetry prose question reason rehearsal rhythm Richard scene seems sense sentence Shake Shakespeare Shylock situation soliloquy sometimes sonnet sounds speak speech stand stress strong sure talking tell That's theater thee there's thing thou thought tradition true verse VIOLA whole words wrong