Playing Shakespeare: An Actor's Guide
Now in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright.
Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
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To hold in right and title of the female So do the kings of France unto this day . Howbeit they would hold up this Salic law To bar your highness claiming from the female , And rather choose to hide them in a net Than amply to imbare ...
ORSINO : Then let thy love be younger than thyself , Or thy affection cannot hold the bent . Richard Pasco : " Cannot hold the bent " means ... ? Cannot last . Can't endure . Richard Pasco : Yes . Now that seemed all perfectly ...
“ Prizes not , ” “ Tell her I hold as giddily as fortune ” : four lines beginning with an extra stress . Orsino throws off the reflective mood he has been in throughout the scene and so the rhythm changes totally .
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Playing Shakespeare: an actor's guideUser Review - Not Available - Book Verdict
Walking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Read full review
The Two Traditions Elizabethan and Modern Acting
Using the Verse Heightened and Naturalistic Verse
Language and Character Making the Words Ones Own
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