Playing Shakespeare: An Actor's Guide
Now in its first American edition, Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world's greatest playwright.
Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare's verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare's most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
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there are not words to complete the line , it indicates that the mind is going on ticking . Even if the words are not coming out to explain what the thoughts are . Then of course you have to come in with the next line with a bit more of ...
Whether ' tis nobler in the mind to suffer The slings and arrows of outrageous fortune Or to take arms against a sea of troubles And by opposing end them . Hamlet : 111.1 . “ Antithesis ” is in a way a bad word for something very ...
ORSINO : I'll pay thy pleasure , then . FESTE : Truly , sir , and pleasure will be paid , one time or another . ORSINO : Give me now leave , to leave thee . FESTE : Now the melancholy god protect thee , ... for thy mind is a very opal .
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Playing Shakespeare: an actor's guideUser Review - Not Available - Book Verdict
Walking the boards in a play by the Bard can be one of the most rewarding and frightening experiences of an actor's life. Drawing on 35 years' experience as associate director of the Royal Shakespeare ... Read full review
The Two Traditions Elizabethan and Modern Acting
Using the Verse Heightened and Naturalistic Verse
Language and Character Making the Words Ones Own
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