Shakspeare and His TimesR. Bentley, 1852 - 424 pages |
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Page 70
... respect - in attributing them to him . The baldness . which characterises these pieces , the heap of unexplained incidents and incoherent sentiments which they contain , and their precipitate progress through undeveloped scenes towards ...
... respect - in attributing them to him . The baldness . which characterises these pieces , the heap of unexplained incidents and incoherent sentiments which they contain , and their precipitate progress through undeveloped scenes towards ...
Page 96
... respect to Plutarch's account of that misanthrope ; and in " Troilus and Cressida , " Shakspeare has copied Chaucer in a very few particulars . ( c The story of the " Merchant of Venice " is of an en- tirely romantic character , and was ...
... respect to Plutarch's account of that misanthrope ; and in " Troilus and Cressida , " Shakspeare has copied Chaucer in a very few particulars . ( c The story of the " Merchant of Venice " is of an en- tirely romantic character , and was ...
Page 102
... respects thy history is important to me . " Thus we may explain that depth of natural truth which reveals itself , in Shakspeare's works , even to the least practised eyes , and that somewhat frequent absence of local truth which he ...
... respects thy history is important to me . " Thus we may explain that depth of natural truth which reveals itself , in Shakspeare's works , even to the least practised eyes , and that somewhat frequent absence of local truth which he ...
Page 106
... respect , his pleasures , and even the studies of his youth . He has now only one object in the world , to prove and punish the crime which had caused his father's death . That , in order to accomplish this design , he must break the ...
... respect , his pleasures , and even the studies of his youth . He has now only one object in the world , to prove and punish the crime which had caused his father's death . That , in order to accomplish this design , he must break the ...
Page 119
... respect inferior to those of which the most distin- guished theatres made use . The actor , covered " with lime and rough - cast , " who represents the wall that separated Pyramus and Thisbe , and moves his fingers to provide " the ...
... respect inferior to those of which the most distin- guished theatres made use . The actor , covered " with lime and rough - cast , " who represents the wall that separated Pyramus and Thisbe , and moves his fingers to provide " the ...
Other editions - View all
SHAKSPEARE & HIS TIMES Francois 1787-1874 Guizot,Achille-Leon-Victor Duc De Broglie, 1. No preview available - 2016 |
Common terms and phrases
action actors admiration afterwards amusement appear Banquo beautiful become behold Ben Jonson brilliant Brutus Cassio character chronicle circumstances comedy comic Cordelia crime death Desdemona desire destiny drama dramatic poetry Duncan effect emotions England entirely equally existence fact Falstaff father favour feelings forms genius give grief habits Hamlet heart Henry Henry IV Henry VI Holinshed honour human Iago idea illusion imagination imitation impression inspired interest Julius Cæsar King King Lear labour Lear liberty literature Lord Luigi da Porto Macbeth manner mind misfortune Molière Moor moral narrative nature necessity never occupied once original Othello passion perhaps personages Petrarch piece play pleasures poet position possession present prince produced reason received regard reign rendered Richard Richard III Romeo and Juliet scene Shakspeare Shakspeare's sonnets soul spectator stage Stratford style taste theatre things thought tragedy tragic true truth unity Voltaire wife Zaïre
Popular passages
Page 122 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Page 387 - The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster...
Page 331 - O, that the slave had forty thousand lives ! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, lago ; All my fond love thus do I blow to heaven : 'Tis gone. Arise, black vengeance, from thy hollow cell ! Yield up, O love, thy crown and hearted throne To tyrannous hate ! Swell, bosom, with thy fraught, For 'tis of aspics
Page 49 - Come, my Corinna, come; and, coming, mark How each field turns a street, each street a park Made green and trimm'd with trees: see how Devotion gives each house a bough Or branch: each porch, each door, ere this An ark, a tabernacle is, Made up of white-thorn neatly interwove; As if here were those cooler shades of love.
Page 332 - The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 46 - Ceremony doffed his pride. The heir, with roses in his shoes, That night might village partner choose ; The lord, underogating, share The vulgar game of
Page 197 - O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Page 341 - Here is my journey's end, here is my butt, And very sea-mark of my utmost sail.
Page 382 - How would it have joyed brave Talbot (the terror of the French) to think that after he had lain two hundred years in his 180 tomb, he should triumph again on the stage, and have his bones new embalmed with the tears of ten thousand spectators at least (at several times), who in the tragedian that represents his person imagine they behold him fresh bleeding.
Page 49 - Above an hour since ; yet you not drest, Nay ! not so much as out of bed ? When all the birds have matins said, And sung their thankful hymns : 'tis sin, Nay, profanation, to keep in, — Whenas a thousand virgins on this day, Spring, sooner than the lark, to fetch in May.