252 PERSONS REPRESENTED. CLAUDIUS, King of Denmark. Courtiers. . MARCELLUS , } Oficers GERTRUDE, Queen of Denmark, and Mother to Hamlet. Lords, Ladies, Officers, Soldiers, Players, Grave-diggers, Sailors, Messengers, and other Attendants. SCENE. Elsinore. SCENE I. Elsinore. A Platform before the Castle. FRANCISCO on his post. Enter to him, BERNARDO. Bernardo. Who's there? Fran. Nay, answer me;stand, and unfold Yourself. Ber. Long live the king! Bernardo? He. Fran. You come most carefully upon your hour. Ber. 'Tis now struck twelve; get thee to bed, Francisco. Ber. Have you had quiet guard ? Not a mouse stirring. do meet Horatio and Marcellus, The rivals 2 of my watch, bid them make haste. 1 i. e. me, who have a right to demand the watchword; which appears to have been, “ Long live the king." 2 Shakspeare uses rivals for associates, partners; and competitor has the same sense throughout these plays. It is the original sense of rivalis. The game titraretstreven ***:* srpntet-WW***New****won rAWEvento*va ----Vorverware-**-*-*-*-**** MO.-- 234 HAMLET, PRINCE OF DENMARK. [ACT 1. Enter HORATIO and MARCELLUS. Ber. Fran. I think I hear them.--Stand, ho! Who is there? Hor. Friends to this ground. Mar. And liegemen to the Dane. Fran. Give you good night. Mar. O, farewell, honest soldier ; Who hath relieved you? Fran. Bernardo hath my place. Give you good night. [Exit FRANCISCO. Mar. Holla! Bernardo ! Say, A piece of him. Mar. Horatio says 'tis but our fantasy; Hor. Tush! tush! 'twill not appear. Sit down awhile; Well, sit we down, And let us hear Bernardo speak of this. Ber. Last night of all, When yon same star, that's westward from the pole, Had made his course to illume that part of heaven Where now it burns, Marcellus, and myself, The bell then beating one, Mar. Peace, break thee off; look, where it comes again! ? To approve is to confirm. uw RAM +420ruv - TV* Atsarves pikt ....**********************Sara****1,217************razu: **T*******TATUT ETME KUYTUTU ***** Ber. In the same figure like the king that's dead. wonder. Speak to it, Horatio. Hor. What art thou, that usurp’st this time of night, speak. [Exit Ghost. Mar. 'Tis gone, and will not answer. Ber. How now, Horatio ? you tremble, and look pale ; Is not this something more than fantasy? you of it? Is it not like the king ? 'Tis strange. 1 It was a vulgar notion, that a supernatural being could only be spoken to, with effect, by persons of learning ; exorcisms being usually practised by the clergy in Latin. 2 The first quarto reads, “it horrors me.” 3 i. e. the sledged Polander (Polaque, Fr.). The old copy reads Pollax. HAWTHWYTY**untut 1.7.2*************AarT**TYMINENT = NUOMODO TINTORVERAN 256 HAMLET, PRINCE OF DENMARK. [ACT 1. Mar. Thus, twice before, and jump at this dead hour, With martial stalk hath he gone by our watch. Hor. In what particular thought to work, I know not; ? But, in the gross and scope of mine opinion, knows, That can I ; Our last king, Whose image even but now appeared to us, Was, as you know, by Fortinbras of Norway, Thereto pricked on by a most emulate pride, Dared to the combat; in which our valiant Hamlet (For so this side of our known world esteemed him) Did slay this Fortinbras; who, by a sealed compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands, Which he stood seized of, to the conqueror : Against the which, a moiety competent Was gaged by our king ; which had returned To the inheritance of Fortinbras, 1 Jump. So the quarto of 1603, and that of 1604. The folio reads just. Jump and just were synonymous. So in Chapman's May Day, 1611.com Your appointment was jumpe at three with me." 2 That is, “ what particular train of thought to follow," &c. The first quarto reads: 6 In what particular to work I know not." Venus YuxeWVA -...wuranterer135 kr. **NEW**** SUKELIA tha:UBICAN KLINKE** HHAA WANAMTALWEEK Wooriadistamumuiyr3212,21 en ## iNOVYKRATAK |