And Weekly Review; Forming an Analysis and General Repository of Literature, Philosophy, Science, Arts, History, the Drama, Morals, Manners, and Amusements. This Paper is published early every Saturday Morning; and is forwarded Weekly, or iu Monthly or Quarterly Parts, throughout the British Dominions. No. 102. LONDON, SATURDAY, APRIL 28, 1821. Review of New Books. LORD BYRON'S TRAGEDY. Price 6d. where, while Joanna Baillie, and Mil- cloth of sendal, but he sat in a chair of Now with all due deference to his lordship, we not only think to be the author of a good tragedy a very exalted object of ambition, but have also a very different opinion as to the public, whose decisions in the theatre have after wards invariably been confirmed out of doors. Marino Faliero, Doge of Venice: an Historical Tragedy, in Five Acts, with Notes. The Prophecy of Dante, • Poem. By Lord Byron. 8vo. pp. 261, London, 1821. Ir the production of a new tragedy was in former times an occurrence that was so eagerly looked for, and so fully chronicled, it will readily be conceived that a tragedy from the distinguished pen of Lord Byron, must, even in these days, excite no common interest. The conspiracy of the Doge Marino Indeed, of all the productions of his Faliero, on a bich this tragedy is foundlordship's pen, we know not one, the pub-ed, is, as his lordship well observes, lication of which was watched with so 'one of the most remarkable events in much anxiety, or which, now that it has the aunals of the most singular governappeared, is read with so much avidity.ment, city, and people of modern histoThe well known talents of his lordship and the present state of the stage united to create a powerful interest, and to raise a hope that we should now have a play, worthy of the brightest period in the annals of the drama. In the preface to the tragedy, his lordship has some severe reflections on the taste of the public, which he unjustly censures. Speaking of his motives for writing the tragedy, he I have had no view to the stage: in its present state it is, perhaps, not a very exalted object of ambition; besides I have been too much behind the scenes, to have thought it so at any time. And I cannot conceive any inan of iritable feeling putting himself at the mercies of an audience:the sneering reader, and the loud critic, and the tart review,are scattered and distant calamities; but the trampling of an intelligent or of an ignorant audience on a production which, be it good or bad, has been a mental labour to the writer, is a palpable and immediate grievance, heightened by a man's doubt of their competency to judge, and his certainty of his own imprudence in electing them his judges. Were I capable of writing a play which could be deemed stage-worthy, ry.' The story, as particularly detailed in the Lives of the Doges,' by Marin Sanuto, is given by his lordship in the appendix; and, as it will make the reader fully acquainted with the subject of the tragedy; we shall give a sketch of it. Marino Faliero, a man of talents and courage, and who had distinguished himself both as a warrior and a statesman, was chosen Doge of Venice, on the 11th of September, 1354. After he had held the office six months, he gave a feast where a circumstance occurred which laid the foundation of his fatal project; we give it in the words of the chronicler : Ser Michele Steno, a gentleman of poor Now to this feast there came a certain estate and very young, but crafty and daring, and who loved one of the damsels of the Duchess. Ser Michele stood he behaved indiscretely, so that my amongst the women upon the solajo; and Lord the Duke ordered that he should be kicked off the solajo; and the esquires of the Duke flung him down from the solajo accordingly. Ser Michele thought that such an affront was beyond all bearing; and when the feast was over, and all other persons had left the palace, he, and the matter was considered very scandalous; and the Senate commanded the Avogadori of the Commonwealth to proceed therein with the greatest diligence. A largesse of great amount was immediately proffered by the Avogadori, these words. And at length it was known in order to discover who had written that Michele Steno had written them. It was resolved in the Council of Forty that he should be arrested; and he then confessed, that in the fit of vexation and spite, occasioned by his being thrust off the solajo in the presence of his mistress, he had written the words. Therefore the Council debated thereen. And the Council took his youth into consideration, and that he was a lover, and therefore they adjudged that he should be kept in close confinement during two months, and that afterwards he should be banished from Venice and the state during one year. In conséquence of this merciful sentence the Duke became exceedingly wroth, it appearing to him that the Council had not acted in such a manner as was lignity; and he said that they ought to required by the respect due to his ducal have condemned Ser Michele to be hanged by the neck, or at least to be banished for life.' The day after this sentence had been the arsenal went to the Doge to compronounced on Steno, the admiral of plain that a gentleman had struck him, and prayed for heavy punishment ou bin : "What wouldst thou have me to do for thee?" answered the Duke ;-"think upon the shameful gibe which hath been written concerning me: and think on the manner in which they have punished that ribald Michele Steno, who wrote it; and see how the Council of Forty respect our person."-Upon this the admiral anMy Lord Duke, if you would wish to make yourself a Prince, and to cut all those cuckoldy gentlemen. in pieces, I have the heart, if you do but swered; Buccess would give me no pleasure, and continuing heated with anger, went to the help me, to make you Prince of all this failure great pain. It is for this reason that, even during the time of being one of the committee of one of the theatres, I never made the attempt, and never will. But surely there is uramatic power sonveVOL. III. hall of audience, and wrote certain unthe Duchess, upon the chair in which the seemly words relating to the Duke and Duke was used to sit; for in those days the Duke did not cover his chair with state; and then you may punish them all."-learing this, the Duke said; 46 How can such a matter be brought about?"--and so they discoursed thereon. • The Duke called for his nephew Ser R-16 Bertuccio Faliero, who lived with him in the palace, and they communed about this plot. And without leaving the place, they sent for Philip Calendaro, a seaman of great repute, and for Bertucci Israello, who was exceedingly wily and cunning. Then taking counsel amongst themselves, they agreed to call in some others; and so, for several nights successively, they met with the Duke at home in his palace.' sword unto the people, crying out with a loud voice" The terrible doom hath fallen upon the traitor!"-and the doors were opened, and the people all rushed in, to see the corpse of the Duke, who had been beheaded.' In Such are the materials on which Lord Byron has founded his tragedy, and in no material point has he deviated from historical correctness. It was concerted that sixteen or seven- his preface he states that he had once teen leaders should be stationed in va- thought of making jealousy the morious parts of the City, each being at the tive which stimulated the Doge to enhead of forty men, armed and prepared; gage in the conspiracy, but that the but the followers were not to know their advice of Sir William Drummond and destination. On the appointed day they the late Monk Lewis dissuaded him were to make affrays amongst themselves here and there, in order that the Duke from it. In speaking of this last promight have a pretence for tolling the bells duction of his lordship's brilliant and of San Marco; these bells are never prolific muse, we must not forget that rung but by the order of the Duke. it was not written for the stage, and And at the sound of the bells, these six-therefore judge of it rather as a tragic teen or seventeen, with their followers, poem than an acting tragedy, for which were to come to San Marco, through the it is too long by at least one-half. streets which open upon the Piazza. Having detailed the story so amply, And when the noble and leading citizens should come into the Piazza, to know the cause of the riot, then the conspirators were to cut them in pieces; and this work being finished, My Lord Marino Faliero the Duke was to be proclaimed the Lord of Venice. Things having been thus settled, they agreed to fulfil their intent on Wednesday, the fifteenth day of April, in the year 1355. So covertly did they plot, that no one ever dreamt of their machinations.' The plot was, however, discovered by one Beltramo Bergamasco, who mentioned it to Sir Niccolo Lioni, one it in the tragedy, and we shall therefore it will now be unnecessary to go through notice such of the scenes as appear to us most worthy of attention; and to which it will be seen his lordship has often given the most powerful interest and effect. We ought to premise that, in order to preserve a near approach to the unity of the play, his lordship has represented the conspiracy as already formed, and the Doge acceding to it; whereas, in fact, it was of his own preparation, and that of Israel Berof the senators, whose life he wished tuccio. The tragedy commences just to preserve. The Council of Ten, and before sentence has been passed on the Great Council were assembled, Steno, and the Doge is anxio sly Beltramo was brought before them, waiting the result. When it is made and, ascertaining the truth of his state-known to him that he has only been ment, measures were taken to counsentenced to a month's imprisonment, he breaks out into a violent rage, throws down the ducal bonnet, and wishes the enemies of Venice at the gates that he might do them homage. The whole of this scene between the Doge and his nephew is admirable; we quote a few passages : teract the conspiracy. The tolling of the bells was prevented, and the principal conspirators all seized, most of whom were condemned to death by the Council of Ten, and afterwards exeuted : On Friday, the sixteenth day of April, judgment was also given, in the Council of Ten, that My Lord Marino Faliero, the Duke, should have his head cut off, and that the execution should be done on the landing place of the stone staircase, where the Dukes take their oath when they first enter the palace. On the fol. lowing day, the seventeenth day of April, the doors of the palace being shut, the Duke had his head cut off, about the And the cap of estate was taken from the Duke's head before he came down stairs. When the execution was over, it is said, that one of the Council of Ten went to the columns of the palace over against the place of St. Mark, and that he showed the bloody hour of noon. I Even from this hour; the meanest artisan Doge (interrupting him.) You see what it has done I ask'd po remedy but from the lawI sought no vengeance but redress by law-~ call'd no judges but those named by law As sovereign, I appeal'd unto my subjects, The very subjects who had made me sovereign, And gave me thus a double right to be so. The rights of place and choice, of birth and ser stain, The grossest insult, most contemptuous crime Of a rank rash patrician-and found wanting! And this is to be borne ? had been done him by the imputation The deep sense of the wrong that on his wife, never leaves the Doge; speaking of Steno, he says'Doge. You know the full offence, of this born villain, This creeping, coward, rank, acquitted felon, Who threw his sting into a poisonous libel, And on the honour of Oh God!—my wife, The nearest dearest part of all men's honour, Left a base slur to pass from mouth to mouth Of loose mechanics, with all coarse foul comments, And villainous jests, and blasphemies obscene; While sneering nobles, in more polish'd guise, Whisper'd the tale, and smiled upon the lie. Which made me look like them-a courteous wittol, Patient-ay, proud, it may be, of dishonour.' And in an interview afterwards with Israel Bertuccio, the chief of the arsenal, alluding to the 'foul words, That have cried shame to every car in Venice,' He says, Ay, doubtless they have echo'd o'er the ar senal, Keeping due time with every hammer's clink The second act is very heavy, particularly the scene between the Doge and Angiolina his wife, and it appears to us highly improbable. That an old man should marry a young and beautiful wife, is, if not very natural, at least very common, but that he should marry her from such motives as his lordship assigns him, is extremely improbable. The Doge addressing his wife is made to say I knew my heart would never treat you harshly; I knew my days could not disturb you long; And then the daughter of my earliest friend, His worthy daughter, free to choose again, Wealthier and wiser, in the ripest bloom Would choose more fitly in respect of years, The following passage is very spirited. Angiolina, in allusion to Steno, says, Angi. Oh! had this false and flippant libeller Shed his young blood for his absurd lampoon, Ne'er from that moment could this breast have known A joyous hour, or dreamless slumber more. Doge. Does not the law of Heaven say blood for blood? And he who taints kills more than he who sheds it. Is it the pain of blows, or shame of blows, That make such deadly to the sense of man? son For their once healthful current? is it nothing To have stain'd your name and mine-the noblest names? Is 't nothing to have brought into contempt Bertram, one of the conspirators, not having completed the number of men that he was to bring, is suspected by Calendaro, who intimates his fears of him to Israel Bertuccio, but says, he has no ties of kindred to make him fear. Bertuccio replies,— Is. Ber. Such ties are not For those who are call'd to the high destinies. Is. Ber. They never fail who die In a great cause: the block may soak their gore; Their heads may sodden in the sun; their limbs. Be strung to city gates and castle walls- years Elapse, and others share as dark a doom, Which o'erpower all others, and conduct Of saving one of these: they form but links Of one long chain; one mass, one breath, ore body; gether, Revel, and lie, oppress, and kill in concert,— So let him die as one! "The last of Romans!" Let us be the first Of true Venetians, sprung from Roman sires.' There is a fearful grandeur in the They eat, and drink, and live, and breed tofollowing soliloquy of the Doge, when on his way to meet the conspirators:I am before the hour, the hour whose voice, Pealing into the arch of night, might strike These palaces with ominous tottering, And rock their marbles to the corner-stone, Waking the sleepers from some hideous dream Of indistinct but awful augury Of that which will befal them. Yes, proud city! Thou must be cleansed of the black blood which makes thee A lazar-house of tyranny: the task Tall Where sleep my fathers, whose dim statues shadow The floor which doth divide us from the dead, Where all the pregnant hearts of our bold blood Moulder'd into a mite of ashes, hold In one shrunk heap what once made many heroes, Their mighty name dishonour'd all in me, Battling at Zara, did the Hecatombs The scene in the third act, in which the Doge is introduced to the senate, is highly dramatic, and we quote the principal passages : Conspirators. Most welcome.-Brave Bertuccio, thou art lateWho is this stranger? Calendaro. It is time to name him. Our comrades are even now prepared to greet him. In brotherhood, as I have made it known That thou would'st add a brother to our cause, Approved by thee, and thus approved by all, Such is our trust in all thine actions. Now Let him unfold himself. Is. Ber. Stranger, step forth! [The Doge discovers himself. Cons. To arms!-we are betrayed-it is the Doge! Down with them both! our traitorous captain, and The tyrant he hath sold us to! Calen. (drawing his sword.) Hold! Hold! Who moves a step against them dies. Hold! hear, Bertuccio What! are you appall'd to see Is. Ber. Let them advance and strike at their Ungrateful suicides! for on our lives Depend their own, their fortunes, and their hopes. Doge. Strike!-If I dreaded death, a death more fearful Than any your rash weapons can inflict, I should not now be here ;-Oh, noble courage! The eldest born of fear, which makes you brave Against this solitary hoary head! See the bold chiefs, who would reform a state And shake down senates, mad with wrath and dread At sight of one patrician.- Butcher me, You can; I care not.-Israel, are these men The mighty hearts you spoke of? look upon them! Calen. Faith! he hath shamed us, and deservedly. Was this your trust in your true Chief Bertuc cio, To turn your swords against him and his guest? Sheathe them, and hear him. Of thine and Venice' foes, there offer'd up By thy descendant, merit such acquittance? Spirits! smile down upon me; for my cause Is your's, in all life now can be of your's,Your fame, your name, all mingled up in mine, And in the future fortunes of our race! Let me but prosper, and I make this city Free and immortal, and our house's name Worthier of what you were, now and hereafter! Bertram, in an interview with Calendaro, inquires if there are not some among the senators whose age and qua- Incapable of treachery; and the power lities might mark them out for pity. They gave me to adopt all fitting means Calendaro replies in the following pas-They might be certain that whoe'er was brought To further their designs, was ne'er abused. sage, which is bold, and the idea we consider original :— "Yes, such pity As when the viper hath been cut to pieces, The separate fragments quivering in the sun In the last energy of venomous life, Deserve and have. Why, I should think as soon Of pitying some particular fang which made One in the jaw of the swoln serpent, as They might and must have known a heart like Is. Ber. I disdain to speak. mine And droop their heads; believe me, they are Foster'd the wretch who stung me. What I suffer such As I described them-Speak to them. We are all listening in wonder. Is. Ber. (addressing the conspirators.) You are safe, Nay, more, almost triumphant-listen, then, Doge. You see me here, As one of you hath said, an old, unarm'd, He, who among you, hath been most insulted, Outraged and trodden on, until he doubt you. In this-I cannot call it commonwealth, But all the sins of the old Spartan state, A pastime for their children. You are met So that no part could be removed without Has reach'd me through my pity for the people; That many know, and they who know not yet (The least of all, for its last hours are nigh) And to your chiefs, accept me or reject me, A prince who fain would be a citizen Or nothing, and who has left his throne to be so.' the conspiracy, yet he is not altogether Although the Doge goes fully into free from compunction: Doge. Bear with me! Step by step, and blow on blow, I will divide with you; think not I waver: way, To which you only and the night are conscious, And both regardless; when the hour arrives, Which shall unpeople many palaces, And crush their blossoms into barrenness : Bear Is. Ber. Re-man your breast; I feel no such Bertram, who is guilty of weakness rather than treachery, goes to his friend and patron Lioni, and cautions him not to go forth on the day of the intended massacre. Lioni, unable to gain the secret, secures Bertram. There is one passage in this scene which strikes us as peculiarly happy, and we quote it. Bertram says, 'I come To save patrician blood, and not to shed it! And is about to take, instead of sand, Doge (solus.) He is gone, And on each footstep moves a life-'Tis dose Now the destroying angel hovers o'er Venice, and pauses ere he pours the vial, Even as the eagle o'erlooks his prey, And for a moment, poised in middle air, Suspends the motion of his mighty wings, Then swoops with his unerring beak.-Thou day! That slowly walk'st the waters! march-march I have seen you dyed ere now, and deeply too, Unto that horrible incarnadine, And fame, and length of days-to see this day? When all is over, you'll be free and merry, The noble end must justify them-What world! Oh men! what are ye, and our best designs, And I, upon the verge of th*nnknown realm, [A pause. raise ! It cannot be the signal hath not rung➡ Where swings the sullen huge oracular bell, I would go forth, but that my post is here, The oft discordant elements which form They here! all's lost-yet will I make an effort.' The Doge is arrested and brought before the Great Council, where he confesses the accusation against him. His wife, Angiolina, intercedes that his life may be spared, but the Council condemn him to immediate death. The scene in which this is described we quote at length: The Court of the Ducal Palace: the outer gates are shut against the people-The DOGE enters in his ducal robes, in procession with the Council of Ten and other Patricians, attended by the Guards till they arrive at the top of the "Giant's Staircase," (where the Doges took their oaths); the executioner is stationed there with his sword-On arriving, a Chief of the Ten takes off the ducal cap from the Doge's head. Doge. So now the Doge is nothing, and at last I am again Marino Faliero : 'Tis well to be so, though but for a moment. Here I was crown'd, and here, bear witness, Heaven! With how much more contentment I resign Thou tremblest, Faliero! Ben. Faliero! hast thou aught further to Compatible with justice, to the senate? My consort to their justice; for methinks Ben. They shall be cared for; Doge. The King of Sparta and the Dege of VeniceAgis and Paliero! Ben. Hast thou more Doge. May I speak? Doge. I speak to Time and to Eternity, Ye winds! which flutter'd o'er as if you loved it, And fill'd my swelling sails as they were wafted To many a triumph! Thou, my native earth, Which I have bled for, and thou foreign earth, Which drank this willing blood from many a wound! Ye stones, in which my gore will not sink, but Reek up to Heaven! Ye skies, which will receive it! Thou sun! which shinest on these things, and Thou! Who kindlest and who quenchest suns!-At test! doom I am not innocent but are these guiltless? Shedding so much blood in her last defence [The DOGE throws himself upon his knees, and as the Executioner raises his sword the scene closes."] The great length to which we have extended our extracts leaves us little room for critical remarks. The tragedy is certainly a noble production, and worthy of the pen of its distinguished author. The characters of Marino Faliero and Israel Bertuccio, are powerfully drawn, and throughout the whole tragedy there is a vigour and a tone of eloquence, which leaves modern tragedies at an immeasurable distance. One of the characters, that of Bertram, will remind the reader of Jaffier in Venice Preserved; nor is that the only thing which will often remind him both of Otway and Shakespear. The hunters after plagiarisms will, we doubt not, be again at work, and like those who would deny the glory of the sun because it has spots, will seek to nibble at the fair fame of the poble author, because a similarity of sentiment may Even in the palace where they slew their sove-happen between him and an earlier writer. The Prophecy of Dante,' which follows this tragedy, consists of four cantos on the exile of the post, the author intending to continue the subject in some future cantos. Dante is supposed to address the reader in the interval between the conclusion of the divina commedia and his death, and, shortly before the latter event, foretelling the fortunes of Italy in the enwhich possesses many beauties, is so The whole poem, suing centuries. connected that it is difficult even to detach à passage; we shall, however, alludes to Michael Angelo, and the select a portion of the last canto, which building of Sa Peter's at Rome :- |