The Plays and Poems of William Shakspeare: With the Corrections and Illustrations of Various Commentators, Volume 5 |
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Page 57
But Rowe ' s emendation may be justified by Falstaff ' s question in The First Part
of King Henry IV . : - “ I ' ll not pay a denier . What will you make a younker of me ?
" Steevens . “ How like a younker , or a prodigal , “ The scarfed bark puts from ...
But Rowe ' s emendation may be justified by Falstaff ' s question in The First Part
of King Henry IV . : - “ I ' ll not pay a denier . What will you make a younker of me ?
" Steevens . “ How like a younker , or a prodigal , “ The scarfed bark puts from ...
Page 67
So , in an old stage - direction in King Henry VIII . : “ The king draws the curtain ,
and sits reading pensively . " STEEVENS . 3 And so have I address ' n me : ) To
address is to prepare . The meaning is , I have prepared myself by the same ...
So , in an old stage - direction in King Henry VIII . : “ The king draws the curtain ,
and sits reading pensively . " STEEVENS . 3 And so have I address ' n me : ) To
address is to prepare . The meaning is , I have prepared myself by the same ...
Page 69
So , in King Henry IV . Part I . : “ — and in some sort it jumps with my humour . ”
Steevens . 7 How much low peasantry would then be GLEAN ' D From the true
seed of honour ? ] The meaning is , - How much meanness would be found
among ...
So , in King Henry IV . Part I . : “ — and in some sort it jumps with my humour . ”
Steevens . 7 How much low peasantry would then be GLEAN ' D From the true
seed of honour ? ] The meaning is , - How much meanness would be found
among ...
Page 70
... which is derived from the Latin vannus , ventilabrum , the fan used for
winnowing the chaff from the corn . This alteration restores the metaphor to its
integrity : and our poet frequently uses the same thought . So , in The Second
Part of Henry ...
... which is derived from the Latin vannus , ventilabrum , the fan used for
winnowing the chaff from the corn . This alteration restores the metaphor to its
integrity : and our poet frequently uses the same thought . So , in The Second
Part of Henry ...
Page 71
So , in King Henry VI . : “ I wis your grandame had no worser match . " Again , in
the comedy of King Cambyses : “ Yea , I wis , shall you , and that with all speed . ”
Sidney , Ascham , and Waller , use the word . Steevens . ? Take what wife you ...
So , in King Henry VI . : “ I wis your grandame had no worser match . " Again , in
the comedy of King Cambyses : “ Yea , I wis , shall you , and that with all speed . ”
Sidney , Ascham , and Waller , use the word . Steevens . ? Take what wife you ...
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Common terms and phrases
ancient answer Antonio appears Bass bear believe better bring called comes daughter death doth Duke editions editors Enter expression eyes fair fairy FARMER father fear Feran folio fool fortune give hand hast hath head hear heart Henry horse I'll Italy Johnson Kate Kath keep kind King lady leave light live look lord Malone marry master means meet mistress moon musick never night observed old copies passage perhaps play poet pray present printed Puck quarto Queen reason ring SCENE seems sense Servant serve Shakspeare speak speech stand STEEVENS suppose sure sweet tell term thee Theobald thing thou thought Tranio translation true unto Venice WARBURTON wife young
Popular passages
Page 129 - Nay, take my life and all, pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Page 134 - The moon shines bright : — In such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise ; in such a night, Troilus, methinks, mounted the Trojan walls, And sigh'd his soul toward the Grecian tents, Where Cressid lay that night.
Page 138 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines...
Page 57 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.
Page 25 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Page 184 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Page 304 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Page 223 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Page 141 - By the sweet power of music: therefore the poet Did feign that Orpheus drew trees, stones and floods; Since nought so stockish, hard and full of rage, But music for the time doth change his nature.
Page 18 - If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes