Clara Bow: Runnin' WildHollywood's first sex symbol, the ' It ' girl, Clara Bow was born in the slums of Brooklyn in a family plagued with alcoholism and insanity. She catapulted to fame after winning Motion Picture magazine's 1921 " Fame and Fortune" contest. The greatest box-office draw of her day—she once received 45,000 fan letters in a single month, Clara Bow's on screen vitality and allure that beguiled thousands, however, would be her undoing off-camera. David Stenn captures her legendary rise to stardom and fall from grace, her success marred by studio exploitation and sexual scandals. |
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Page 31
... Taking no chances, Alton bribed a porter and whisked her charge out a rear exit. The back-door route was beside the point: Clara was in Hollywood. Hollqwoocl Flapper Oh, come my love and join with me BROOKLYN GOTHIC 31 a.
... Taking no chances, Alton bribed a porter and whisked her charge out a rear exit. The back-door route was beside the point: Clara was in Hollywood. Hollqwoocl Flapper Oh, come my love and join with me BROOKLYN GOTHIC 31 a.
Page 33
Runnin' Wild David Stenn. Hollqwoocl Flapper Oh, come my love and join with me The oldest. II: Hollywood Flapper.
Runnin' Wild David Stenn. Hollqwoocl Flapper Oh, come my love and join with me The oldest. II: Hollywood Flapper.
Page 35
... Hollywood. Meanwhile thirty-five million people attended movies each week. Civic and church groups were outraged. Not only did real-life Hollywood revel in depravity, they charged, but violence and sex were becoming staples of the ...
... Hollywood. Meanwhile thirty-five million people attended movies each week. Civic and church groups were outraged. Not only did real-life Hollywood revel in depravity, they charged, but violence and sex were becoming staples of the ...
Page 36
... Hollywood's behavior both on and off screen for the next three decades. The Hays Oflice regulated the subject and content of every American movie. If its rules were broken, the offending film was denied an M.P.P.D.A. seal of approval ...
... Hollywood's behavior both on and off screen for the next three decades. The Hays Oflice regulated the subject and content of every American movie. If its rules were broken, the offending film was denied an M.P.P.D.A. seal of approval ...
Page 37
... her face. He snapped his fingers and ordered Clara to cry. Tears ran down her cheeks. “She was an emotional machine,” marveled Alton. Flabbergasted, Schulberg gave Clara the second lead in Maytime, his HOLLYWOOD FLAPPER 37 rk.
... her face. He snapped his fingers and ordered Clara to cry. Tears ran down her cheeks. “She was an emotional machine,” marveled Alton. Flabbergasted, Schulberg gave Clara the second lead in Maytime, his HOLLYWOOD FLAPPER 37 rk.
Contents
1 | |
3 | |
33 | |
The It Girl | 77 |
Talkies | 153 |
This Aint No Life | 207 |
MrsBeldam | 247 |
Epilogue | 281 |
Aftermath | 284 |
Filmography | 287 |
Sources | 314 |
Notes | 321 |
Index | 359 |
About the Author | 369 |
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Common terms and phrases
35mm complete actor actress Adela Adolph Zukor ain’t Alton Assistant director B. P. Schulberg b8cw production Bedford Drive Bow’s Brooklyn Budd Buddy called career Cast Clara Bow Coast Reporter Colleen Moore Daisy’s daughter DD to DS Dorothy Earl Pearson Elinor Glyn father film final finally find finished first five flapper Gary Cooper George Beldam Gilbert Roland girl Harry Richman Hedda Hopper Henry Herzbrun Hollywood Hula husband Ibid John knew Lasky later Letter from Clara Louise Brooks lover Mantrap married Morley Drury mother Motion Picture Classic movie never night office Paramount Photography play Preservation status RAB to DS release returned Rex Bell Rex’s Robert Bow Rogers role Rudy Behlmer Sarah Bow Savage scene screen seven reels shooting silent story studio talkies TC to DS Teet Carle theater TLB to DS told Tony Trojans Tui Lorraine Tuttle Victor Fleming wanted week wife woman York