Critical Observations on ShakespeareAMS Press, 1748 - 411 pages |
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Page 3
... altering authors , who wrote before the invention of printing , than fince ? Blunders upon blunders of tranfcribers - interpolations - gloffes - omif- fions various readings - and what not ? But to try these experiments , without great ...
... altering authors , who wrote before the invention of printing , than fince ? Blunders upon blunders of tranfcribers - interpolations - gloffes - omif- fions various readings - and what not ? But to try these experiments , without great ...
Page 8
... altered , or added , or lopped off , entirely thro ' modern , and French refinement . TH SECT . III . HE misfortune feems to be , that fcarcely any one pays a regard to what Shakespeare does write , but they are always guessing at what ...
... altered , or added , or lopped off , entirely thro ' modern , and French refinement . TH SECT . III . HE misfortune feems to be , that fcarcely any one pays a regard to what Shakespeare does write , but they are always guessing at what ...
Page 41
... reading ; and he afterwards altered it himself into ftudy death , which the players finding in fome other copy , gave it us in their fecond And somewhat before , when the doctor gives Macbeth an Sect . 5 . on SHAKESPEARE . 41 ...
... reading ; and he afterwards altered it himself into ftudy death , which the players finding in fome other copy , gave it us in their fecond And somewhat before , when the doctor gives Macbeth an Sect . 5 . on SHAKESPEARE . 41 ...
Page 44
... alter'd into woλudí ↓ “ Agso , miftaking the Aeolic digamma for a A. 2 Aristotle having obferved that the unravelling of the plot , or the folution of the fable , fhould proceed from the fable itself , and not from any machine , or the ...
... alter'd into woλudí ↓ “ Agso , miftaking the Aeolic digamma for a A. 2 Aristotle having obferved that the unravelling of the plot , or the folution of the fable , fhould proceed from the fable itself , and not from any machine , or the ...
Page 88
... reflecting how to separate hiftorical from poetical truth , has altered this paffage in his edition ; he reads , Et vivas bine ducere vaces . Can Can the ambitious , and jealous man have fen- timents 88 Critical Obfervations Book I.
... reflecting how to separate hiftorical from poetical truth , has altered this paffage in his edition ; he reads , Et vivas bine ducere vaces . Can Can the ambitious , and jealous man have fen- timents 88 Critical Obfervations Book I.
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Common terms and phrases
A& III acatalectic Aeschylus againſt allufion ancient Antony and Cleopatra becauſe beſt Brutus called cauſe character Cicero comedy Coriolanus criticiſm critics Cymbeline edition Engliſh Euripides expreffion fame fays feems fenfe fhall fhew fignifies firſt fome foul fpeaking fubject fuch Greek Hamlet hath Hence Henry himſelf Homer honour Horace inftances itſelf Johnſon Julius Caefar juſt king King Lear Latin likewife Lycaonia Macbeth manners Meaſure mention'd Milton moft moſt muſt obfervations Othello Ovid paffage paffions perfon Plato Plautus play pleaſe Plutarch poet preſent raiſe reader reaſon ſay ſcene ſee ſeems Shakeſpeare ſhall ſhould ſome Sophocles ſpeaking Spencer ſtage ſtory thee thefe Theobald Theocritus theſe thing thofe thoſe thou tranflation twas ufes uſed verfe verſes Virgil whoſe word write γὰρ δὲ εἰ ἐκ ἐν καὶ μὲν πρὸς τὰ τε τὴν τῆς τὸ τὸν τῷ τῶν ὡς