Biographia Literaria; Or, Biographical Sketches of My Literary Life and Opinions, Volumes 1-2 |
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Page 57
... effects , and that primary regeneration , which precedes a moral one in time , and is not necessarily the ground of a change ... effect on the habits of thought by weakening the love and perception of truth , and it is also injurious by ...
... effects , and that primary regeneration , which precedes a moral one in time , and is not necessarily the ground of a change ... effect on the habits of thought by weakening the love and perception of truth , and it is also injurious by ...
Page 59
... effect gradually , as the will yields to the pressure of the Spirit from without , but which may be made of none effect by the will's resistance . Such a view of the effect of baptism is well expressed by George Herbert in these lines ...
... effect gradually , as the will yields to the pressure of the Spirit from without , but which may be made of none effect by the will's resistance . Such a view of the effect of baptism is well expressed by George Herbert in these lines ...
Page 61
... effect and change produced . Mr. Coleridge's view of the Eucharist with his view of Sacra- ments generally has been ... effects . God sustains mere material things by his power , but is he present to them as the Spirit of Holiness , the ...
... effect and change produced . Mr. Coleridge's view of the Eucharist with his view of Sacra- ments generally has been ... effects . God sustains mere material things by his power , but is he present to them as the Spirit of Holiness , the ...
Page 66
... effect of the Eucharist he believed to be " an assimilation of the spirit of a man to the divine humanity . " How he sympathized with one who fought against the old sensualism appears in his poem on the dying words of Berengarius . But ...
... effect of the Eucharist he believed to be " an assimilation of the spirit of a man to the divine humanity . " How he sympathized with one who fought against the old sensualism appears in his poem on the dying words of Berengarius . But ...
Page 86
... to ascribe salvation to outward works . The faith which accepts grace is itself the effect of grace . 58 Ib . , chap . iii . , verses 27 , 28. Chap . iv , verse 6 Wherein then do they differ ? why truly in this 86 INTRODUCTION .
... to ascribe salvation to outward works . The faith which accepts grace is itself the effect of grace . 58 Ib . , chap . iii . , verses 27 , 28. Chap . iv , verse 6 Wherein then do they differ ? why truly in this 86 INTRODUCTION .
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Common terms and phrases
admiration Antinomianism appear Archdeacon Hare Aristotle beautiful believe Biographia Literaria called cause character Charles Lamb Christ Christian Church Coleridge's common connexion criticism divine doctrine edition effect Essay expression eyes faith fancy Father feelings Fichte former genius German ground heart honor human ideas imagination intellectual Irenæus Kant language least Leibnitz less letter lines literary Luther Lyrical Ballads Maasz Malebranche means metaphysical metre Milton mind moral Morning Post nature never notion object opinion original outward passage perhaps persons philosophy Pindar Plato Plotinus poem poet poetic poetry present principles produced prose published racter Ratzeburg reader reason religion religious remarks S. T. COLERIDGE Schelling Schelling's seems sense Shakspeare Solifidian sonnets soul speak spirit stanzas style suppose Synesius things thou thought tion translation true truth verse whole words Wordsworth writings καὶ τὸ
Popular passages
Page 179 - For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan : Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Page 214 - For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all. I cannot paint What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Page 568 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realised, High instincts before which our mortal Nature Did tremble like a guilty Thing surprised...
Page 568 - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain light of all our day, Are yet a master light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence: truths that wake, To perish never; Which neither listlessness, nor mad endeavour, Nor Man nor Boy, Nor all that is at enmity with joy, Can utterly abolish or destroy!
Page 567 - Delight and liberty, the simple creed Of Childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast: Not for these I raise The song of thanks and praise...
Page 561 - She shall be sportive as the fawn That wild with glee across the lawn Or up the mountain springs ; And hers shall be the breathing balm, And hers the silence and the calm Of mute, insensate things.
Page 364 - The primary IMAGINATION I hold to be the living Power and prime Agent of all human Perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM.
Page 429 - I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation...
Page 437 - What is poetry? — is so nearly the same question with, what is a poet? — that the answer to the one is involved in the solution of the other.
Page 437 - ... while it blends and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the matter; and our admiration of the poet to our sympathy with the poetry.