The Works of Shakespear: In Six Volumes, Volume 6J. and P. Knapton, S. Birt, T. Longman, H. Lintot, C. Hitch, J. Brindley, J. and R. Tonson and S. Draper, R. and B. Wellington, E. New, and B. Dod, 1745 |
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Page 42
... prayer ? Ther . Ay , the heav'ns hear me ! Enter Achilles . Achil . Who's there ? Pat . Therfites , my Lord . Achil ... pray thee , what's thy felf ? Ther . Thy knower , Patroclus : then tell me , Patro- clus , what art thou ? Pat ...
... prayer ? Ther . Ay , the heav'ns hear me ! Enter Achilles . Achil . Who's there ? Pat . Therfites , my Lord . Achil ... pray thee , what's thy felf ? Ther . Thy knower , Patroclus : then tell me , Patro- clus , what art thou ? Pat ...
Page 49
... pray you , a word : do not you follow the young Lord Paris ? Ser . Ay , Sir , when he goes before me . Pan . You do depend upon him , I mean ? Ser . Sir , I do depend upon the Lord . Pan . You depend upon a noble gentleman : I must ...
... pray you , a word : do not you follow the young Lord Paris ? Ser . Ay , Sir , when he goes before me . Pan . You do depend upon him , I mean ? Ser . Sir , I do depend upon the Lord . Pan . You depend upon a noble gentleman : I must ...
Page 57
... . Troi . Your leave , fweet Crefid ? [ ing- Pan . Leave ! an you take leave ' till to - morrow - morn- Cre . Pray you , content you . Troi . What offends you , Lady ? Cre . Cre . Sir , mine own company . Troi . TROILUS and CRESSIDA . 57.
... . Troi . Your leave , fweet Crefid ? [ ing- Pan . Leave ! an you take leave ' till to - morrow - morn- Cre . Pray you , content you . Troi . What offends you , Lady ? Cre . Cre . Sir , mine own company . Troi . TROILUS and CRESSIDA . 57.
Page 73
... pray you come in . [ Knock . I would not for half Troy have you seen here . [ Exeunt . Pan . Who's there ? what's the matter ? will you beat down the door ? how now ? what's the matter ? SCENE III . Enter Æneas . Ene . Good - morrow ...
... pray you come in . [ Knock . I would not for half Troy have you seen here . [ Exeunt . Pan . Who's there ? what's the matter ? will you beat down the door ? how now ? what's the matter ? SCENE III . Enter Æneas . Ene . Good - morrow ...
Page 88
... pray you , let us fee you in the field : We have had pelting wars fince you refus'd The Grecians ' caufe . Achil . Doft thou intreat me , Hector ? To - morrow do I meet thee , fell as death ; To - night , all friends . 3 to be odd Helt ...
... pray you , let us fee you in the field : We have had pelting wars fince you refus'd The Grecians ' caufe . Achil . Doft thou intreat me , Hector ? To - morrow do I meet thee , fell as death ; To - night , all friends . 3 to be odd Helt ...
Other editions - View all
The Works of Shakespear: In Six Volumes, Volume 4 William Shakespeare,Alexander Pope,Nicholas Rowe No preview available - 2015 |
The Works Of Shakespear: In Six Volumes; Volume 4 William Shakespeare,Alexander Pope,Nicholas Rowe No preview available - 2019 |
Common terms and phrases
Achilles againſt Agamemnon Ajax anſwer Brabantio Caffio Calchas Capulet Clot Clown Cymbeline death Desdemona Diomede doft doth emend Emil Enter Exeunt Exit eyes faid falfe fame father feem felf fenfe fhall fhew fhould flain fleep fome foul fpeak ftand ftill fuch fure fweet fword Guiderius Hamlet hath heart heav'n Hector himſelf honeft honour houſe i'th Iach Iago King Lady Laer Laertes Lord miſtreſs moft moſt muft muſt night Nurfe old edit Othello Pandarus Patroclus Pifanio pleaſe Poft Pofthumus Polonius pray prefent Priam purpoſe Queen Rodorigo Romeo SCENE ſhall ſhe ſpeak tell thee thefe Theob Ther there's theſe thing thofe thoſe thou art Troi Troilus Tybalt Ulyf uſe villain Warb whofe wife word worfe
Popular passages
Page 518 - But there, where I have garner'd up my heart, Where either I must live or bear no life, The fountain from the which my current runs, Or else dries up...
Page 375 - That they are not a pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 327 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly: These, indeed, seem, For they are actions that a man might play : But I have that within, which passeth show; These, but the trappings and the suits of woe.
Page 64 - Time hath, my lord, a wallet at his back, Wherein he puts alms for oblivion, A great-sized monster of ingratitudes : Those scraps are good deeds past : which are devour'd As fast as they are made, forgot as soon As done...
Page 383 - Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think, I am easier to be played on than a pipe...
Page 494 - O curse of marriage, That we can call these delicate creatures ours, And not their appetites ! I had rather be a toad, And live upon the vapour of a dungeon, Than keep a corner in the thing I love For others
Page 268 - These violent delights have violent ends, And in their triumph die ! like fire and powder, Which, as they kiss, consume.
Page 252 - Would through the airy region stream so bright, That birds would sing, and think it were not night — See, how she leans her cheek upon her hand ! O, that I were a glove upon that hand, That I might touch that cheek ! Jul.
Page 390 - You cannot call it love; for at your age The heyday in the blood is tame, it's humble, And waits upon the judgment; and what judgment Would step from this to this?
Page 488 - Excellent wretch ! Perdition catch my soul, But I do love thee ! and when I love thee not Chaos is come again.