The Plays of William Shakespeare ...: With the Corrections and Illustrations of Various Commentators, Volume 2C. and A. Conrad & Company, 1805 |
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Page 30
... scene . The spirits were always considered as in some measure enslaved to the enchanter , at least for a time , and as serving with unwillingness ; therefore Ariel so often begs for liberty ; and Caliban observes , that the spirits ...
... scene . The spirits were always considered as in some measure enslaved to the enchanter , at least for a time , and as serving with unwillingness ; therefore Ariel so often begs for liberty ; and Caliban observes , that the spirits ...
Page 46
... SCENE I. Another part of the Island . Enter ALONSO , SEBASTIAN , ANTONIO , GONZALO , ADRIAN , FRANCISCO , and others . Gon . ' Beseech you , sir , be merry : you have cause ( So have we all ) of joy ; for our escape Is much beyond our ...
... SCENE I. Another part of the Island . Enter ALONSO , SEBASTIAN , ANTONIO , GONZALO , ADRIAN , FRANCISCO , and others . Gon . ' Beseech you , sir , be merry : you have cause ( So have we all ) of joy ; for our escape Is much beyond our ...
Page 52
... scene , unless he knew how to find the kingdom , which he was to inherit ? Johnson . a . When the " at " in the preceding is changed into " as by the 165. 2632. , the difficulty vanishes and " should " remains . " Gon . I ' the ...
... scene , unless he knew how to find the kingdom , which he was to inherit ? Johnson . a . When the " at " in the preceding is changed into " as by the 165. 2632. , the difficulty vanishes and " should " remains . " Gon . I ' the ...
Page 63
... points out which were the immediate objects of his protection . He cannot be supposed to have any reference to what happens in the last scene of the next Act . Steevens . trus Alon . Why , how now , ho ! TEMPEST . 63.
... points out which were the immediate objects of his protection . He cannot be supposed to have any reference to what happens in the last scene of the next Act . Steevens . trus Alon . Why , how now , ho ! TEMPEST . 63.
Page 64
... , as well as in our author's Cymbeline , Act III . sc . iii : " Best draw my sword ; " i . e . it were best to draw it . Steevens . Verity in Ms. fol . 1632 . SCENE II . Another part of the Island . Enter 64 TEMPEST .
... , as well as in our author's Cymbeline , Act III . sc . iii : " Best draw my sword ; " i . e . it were best to draw it . Steevens . Verity in Ms. fol . 1632 . SCENE II . Another part of the Island . Enter 64 TEMPEST .
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Common terms and phrases
ancient Antony and Cleopatra Ariel Ben Jonson Caliban called comedy Demetrius dost doth Duke edition Eglamour emendation Enter Exeunt Exit eyes fair gentle Gentlemen of Verona give grace hath hear heart Helena Hermia Johnson Julia King Henry lady Laun Launce lion lord lover Lysander madam Malone Mason master means Measure for Measure metre Midsummer Night's Dream Milan Mira mistress monster moon musick never night Oberon observes old copy reads Othello passage play poet pray Prospero Proteus Puck Pyramus quarto Quin Ritson scene second folio sense Shakspeare Shakspeare's shalt signifies Silvia sleep song speak Speed Spenser spirit Steevens Stephano strange suppose sweet tell thee Theobald Theseus thing Thisby thou art thou hast Thurio Titania translation Trin Trinculo unto Valentine Warburton word
Popular passages
Page 112 - Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm'd The noontide sun, call'd forth the mutinous winds, And 'twixt the green sea and the azur'd vault Set roaring war...
Page 111 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Page 342 - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Page 274 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Page 36 - em. Cal. I must eat my dinner. This island's mine, by Sycorax my mother, Which thou tak'st from me. When thou earnest first, Thou strok'dst me, and mad'st much of me ; wouldst give me Water with berries in't ; and teach me how To name the bigger light, and how the less, That burn by day and night : and then I lov'd thee, And show'd thee all the qualities o...
Page 314 - All school-days' friendship, childhood innocence ? We, Hermia, like two artificial gods, Have with our needles created both one flower, Both on one sampler, sitting on one cushion, Both warbling of one song, both in one key ; As if our hands, our sides, voices, and minds, Had been incorporate. So we grew together, Like to a double cherry, seeming parted ; But yet a union in partition, Two lovely berries moulded on one stem ; So, with two seeming bodies, but one heart : Two of the first, like coats...
Page 113 - Some heavenly music, (which even now I do) To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Page 368 - And we fairies, that do run By the triple Hecate's team, From the presence of the sun, Following darkness like a dream, Now are frolic.
Page 346 - The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven ; And, as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes, and gives to airy nothing A local habitation, and a name. Such tricks hath strong imagination, That, if it would but apprehend some joy, It comprehends some bringer of that joy ; Or, in the night, imagining some fear, How easy is a bush supposed a bear ! Hip.
Page 277 - That very time I saw, (but thou could'st not,) Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal, throned by the west ; And...