Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then, the justice, In fair round belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances... The Dramatic Works of W. Shakespeare - Page 210by William Shakespeare - 1849 - 925 pagesFull view - About this book
| William Shakespeare - 1861 - 352 pages
...and modern instances ; And so he plays his part : The sixth age shifts Into the lean and slipper 'd pantaloon : With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion : Sans teeth, sans eyes, sans taste,... | |
| William Shakespeare - 1864 - 1056 pages
...mistress' eyebrow : Then, a soldier ; Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation...whistles in his sound : Last scene of all That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
| William Shakespeare, John William Stanhope Hows - Readers - 1864 - 498 pages
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
| Thomas Budd Shaw, sir William Smith - 1864 - 554 pages
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
| esq Henry Jenkins - 1864 - 800 pages
...With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plavs his part : The sixth age shifts Into the lean and...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere obli vion ; Sans teeth, sans eyes, sans... | |
| William Shakespeare - 1864 - 752 pages
...instances ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon,89 With How much she loves me : oh, the kindest Kate ! —...She hung about my neck ; and kiss on kiss She vied" strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
| William Shakespeare - 1865 - 362 pages
...formal cut, Full of wise saws, and modern instances, And so he plays his part. The sixth age skiftg Into the lean and slipper'd pantaloon, With spectacles...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
| William Shakespeare - 1865 - 544 pages
...and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slipper* d pantaloon, With spectacles on nose and pouch on side;...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
| William Shakespeare - 1866 - 552 pages
...belly with good capon lin'd, With eyes severe and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
| Standard poetry book - 1866 - 300 pages
...severe, and beard of formal cut, In fair round belly, with good capon lin'd, Full of wise saws and modern instances, And so he plays his part: The sixth age...whistles in his sound: Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
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