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Books Books 11 - 20 of 25 on The first blow against the monolithic accumulation of traditional film conventions....
" The first blow against the monolithic accumulation of traditional film conventions (already undertaken by radical filmmakers) is to free the look of the camera into its materiality in time and space and the look of the audience into dialectics, passionate... "
Women Film Directors: An International Bio-critical Dictionary - Page xx
by Gwendolyn Audrey Foster - 1995 - 443 pages
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To Desire Differently: Feminism and the French Cinema

Sandy Flitterman-Lewis - Performing Arts - 1996 - 379 pages
...together an impossible portrait of Mona.1 The first blow against . . . traditional film conventions is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment.2 VAGABOND ( 1985) is A FILM about looking, but a kind of looking which is quite...
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A Sourcebook of Feminist Theatre and Performance: On and Beyond the Stage

Carol Martin - Performing Arts - 1996 - 311 pages
...concepts: The first blow against the monolithic accumulation of traditional film conventions ... is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. (1975:18) Demystifying representation, showing how and when the object of pleasure...
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Feminisms: An Anthology of Literary Theory and Criticism

Robyn R. Warhol, Diane Price Herndl - Literary Criticism - 1997 - 1207 pages
...monolithic accumulation of traditional film conventions (already undertaken by radical film-makers) is to free the look of the camera into its materiality in...space and the look of the audience into dialectics and passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...
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Cultural Marxism in Postwar Britain: History, the New Left, and the Origins ...

Dennis L. Dworkin - History - 1997 - 322 pages
...this process took place was the precondition for overturning it. Its transformation involved freeing "the look of the camera into its materiality in time...space and the look of the audience into dialectics, passionate detachment."6" Mulvey would attempt this transformation in a series of films in collaboration...
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The Routledge Reader in Gender and Performance

Lizbeth Goodman, Jane De Gay - Performing Arts - 1998 - 332 pages
...(already undertaken bv radical film-makers) is to free the look of the camera into its materialitv in time and space and the look of the audience into dialectics, passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...
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Feminism and Documentary

Diane Waldman, Janet Walker - Social Science - 1999 - 365 pages
...monolithic accumulation of traditional film conventions (already undertaken by radical film-makers) is to free the look of the camera into its materiality in...space and the look of the audience into dialectics and passionate detachment. There is no doubt that this destroys the satisfaction, pleasure and privilege...
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Performance Analysis: An Introductory Coursebook

Colin Counsell, Laurie Wolf - Performing Arts - 2001 - 250 pages
...concepts: The first blow against the monolithic accumulation of traditional film conventions ... is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment.3 Demystifying representation, showing how and when the object of pleasure is...
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Post-war Cinema and Modernity: A Film Reader

John Orr, Olga Taxidou - Performing Arts - 2001 - 445 pages
...monolithic accumulation of traditional film conventions (already undertaken by radical film-makers) is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment." Drawing most frequently on the theories of Bertolt Brecht but giving them a...
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Women's Cinema: The Contested Screen

Alison Butler - Performing Arts - 2002 - 134 pages
...polemic against mainstream narrative film by advocating the creation of 'a new language of desire' to 'free the look of the camera into its materiality...space and the look of the audience into dialectics, passionate detachment' (1975: 8). Women, she argues, should view the decline of traditional film form...
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Performance: Media and technology

Philip Auslander - Performance - 2003 - 440 pages
...The first blow against the monolithic accumulation of traditional film conventions [ . . . ] is to free the look of the camera into its materiality in...space and the look of the audience into dialectics, passionate detachment. (1975: 18) Demystifying representation, showing how and when the object of pleasure...
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