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Books Books 11 - 20 of 43 on And it is very remarkable, that notwithstanding we fall short at present of the ancients....
" And it is very remarkable, that notwithstanding we fall short at present of the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in... "
The Edinburgh magazine, or Literary miscellany - Page 127
1794
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The British essayists: with prefaces biographical, historical ..., Volumes 25-26

Lionel Thomas Berguer - English essays - 1823
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience ; we exceed them as much in doggerel, humour, burlesque, and all the trivial arts of ridicule.' As this fine observation stands at present only in...
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The British Essayists: The Adventurer

James Ferguson - English periodicals - 1823
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience; we exceed them as much in doggerel, humour, burlesque, and all the trivial arts of ridicule." As this fine observation stands at present only in...
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The Adventurer, Volume 3

1823
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience ; we exceed them as much in doggerel, humour, burlesque, and all the trivial arts of ridicule." As this tine observation stands at present only in...
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The British essayists; with prefaces by L.T. Berguer

British essayists - 1823
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in doggerel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the moderns, but...
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The British Essayists: Spectator

James Ferguson - Literary Collections - 1823
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in doggrel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the...
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A second selection from the papers of Addison in the Spectator and Guardian ...

Joseph Addison - 1828
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in doggrel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the...
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The Spectator: With Notes and a General Index, Volumes 1-2

1836
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences i RxP ؀g " doggrel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the...
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The Works of Joseph Addison: The Spectator, no. 1-314

Joseph Addison - 1837
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in dog' grel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among...
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The Works of Joseph Addison, Volumes 1-2

Joseph Addison - 1842
...the ancients in poetry, painting, oratory, historv, architecture, and all the noble arts and sciences ir, To Thebes, to Athena, when he will, and where. THE English writers o doggrel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the...
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Foliorum centuriae, selections for translation into Latin and Greek prose ...

Hubert Ashton Holden - 1852
...the ancients in poetry, painting, oratory, history, architecture, and all the noble arts and sciences which depend more upon genius than experience, we exceed them as much in doggerel humour, burlesque, and all the trivial arts of ridicule. We meet with more raillery among the moderns, but...
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