 | John O. Whitney, Tina Packer - Business & Economics - 2002 - 321 pages
...an auditor. Be an actor. 165 7 Lend Me Your Ears The Art of ' Perj nation Is it not monstrous that this player here, But in a fiction, in a dream of...passion, Could force his soul so to his own conceit . . . Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Kenneth Muir - Drama - 2002 - 212 pages
...whips himself into a heat of passion: Is it not monstrous that this player here, But in a f1ction, in a dream of passion, Could force his soul so to...own conceit, That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - Drama - 1995 - 340 pages
...and GuHJenstern Now I ara alone.. O, what a rogue and peasant slave am 1 1 Is it not monstrous that this player here, But in a fiction, in a dream of...passion, Could force his soul so to his own conceit 550 That from her working all his visage wanned, , Tears in bis eyes, distraction in his aspect, A... | |
 | Herbert Blau - Performing Arts - 2002 - 378 pages
...over Peter's arm as he holds Denise: JUL: Your sister's dead, Laertes. MAR: Is it not monstrous that this player here, But in a fiction, in a dream of...passion, Could force his soul so to his own conceit . . . JUL: There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream.... | |
 | Ewan Fernie - Drama - 2002 - 298 pages
...'say nothing' for a murdered king, but he needs action, not pity or words. 'Is it not monstrous that this player here, / But in a fiction, in a dream of...passion, / Could force his soul so to his own conceit' (2.2.545-7) reads first as a disgusted condemnation of the kind of synthetic ecstasy he requires to... | |
 | P. E. Easterling, Edith Hall - Biography & Autobiography - 2002 - 550 pages
...the leading players has impersonated Hecuba's grief, soliloquises (558-67): Is it not monstrous, that this player here. But in a fiction, in a dream of passion, Could force his soul so to his whole conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's... | |
 | William Shakespeare - Drama - 2002 - 214 pages
...575 About: get to work. 577 cunning of the scene: art of the presentation. 578 presently: instantly. Could force his soul so to his own conceit That from her working all his visage wann'd, 540 Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With... | |
 | David Lee Miller - English literature - 2003 - 268 pages
...the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in a fiction, in a dream of...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit? And all for... | |
 | K. H. Anthol - Literary Criticism - 2003 - 344 pages
...God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in a fiction, in a dream of...conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With... | |
 | Antonio R. Damasio - Philosophy - 2003 - 372 pages
...capability of conjuring up emotion in spite of having no personal cause for it. "Is it not monstrous that this player here, but in a fiction, in a dream of...own conceit, that from her working all his visage waned, tears in his eyes, distraction in his aspect, a broken voice, and his whole form suiting with... | |
| |
I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... 
