 | Hendrijke Haufe, Andrea Sieber - Language Arts & Disciplines - 2003 - 352 pages
...carefully lists, and his own ineffective, pigeon-livered (2.2.565) performance: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Ralph Twentyman - Medical - 2004 - 136 pages
...certainly found that this was so: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of...distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! Hamlet (Act 2, Scene ii)... | |
 | Kathy Elgin - Juvenile Nonfiction - 2005 - 40 pages
...of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in a fiction, in a dream of...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft... | |
 | Gabriel Egan - Literary Criticism - 2004 - 178 pages
...is mightily impressed with the effect of a performance upon the performer: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect,... | |
 | Salvo Pitruzzella - Medical - 2004 - 216 pages
...attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in a fiction, in a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in's aspect,... | |
 | Alan Shepard, Stephen David Powell Powell - Literary Criticism - 2004 - 324 pages
...speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,... | |
 | John Gibson, Wolfgang Huemer - Criticism - 2004 - 372 pages
...intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,... | |
 | Salvo Pitruzzella - Drama - 2004 - 212 pages
...attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in a fiction, in a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Fyodor Dostoevsky - Fiction - 2007 - 610 pages
...hanging sheet or the like. 5z. See Hamlet's soliloquy about the player (Act II, Seene ii, ll. 553-563): "Tears in his eyes, distraction in's aspect / A broken voice, and his whole function suiting / With forms to his conceit? and all for nothing! / For Hecuha? / What's Hecuha to... | |
 | Gail Kern Paster - Literary Criticism - 2010 - 291 pages
...his own recitation, flood himself within and without by emotion and cause bodily alteration. He can force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect. But, though it is harder to see, Hamlet... | |
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I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... 
