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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Kaleidoscope: or, Literary and scientific mirror - Page 159
1821
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The American Common-school Reader and Speaker: Being a Selection of Pieces ...

John Goldsbury, William Russell - American literature - 1844 - 432 pages
...what a rogue and peasant slave am, V7.' Is it not MONSTROUS that this player here, But in a. fiction, a DREAM of passion, Could force his soul so to his own conceit, 6 That, from her working, all his visage w&nned, Tears in his eyes, distraction in 's aspect, A Itrolien...
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Bibliotheca Sacra and Theological Review, Volume 2

Theology - 1845
...had left him, Hamlet said : — " Oh what a rogue and peasant slave am I '. Is it not monstrous, that this player here, But in a fiction, in a dream of...distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit. And all for nothing ! For Hecuba ! What's Hecuba to him,...
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The Methodist new connexion magazine and evangelical repository, Volume 71

1868
...what has just been said applies with special force to the lierformers. " Is it not monstrous, that this player here, But in a fiction, in a dream of...his visage wann'd ; Tears in his eyes, distraction in '• aspect, A broken voice, and his whole function suiting With forms to big conceit? And all for...
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Elocution: Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - Elocution - 1845 - 384 pages
...praistt but as one leads the other. O what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction. In a dream of...own conceit. That from her working, all his visage warro'd, Tears in his eyes, distraction In Ms aspect, A broken voice, and his whole function suiting,...
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The rhetorical reader, consisting of choice specimens of oratorical ...

John Hall Hindmarsh - 1845 - 80 pages
...wr'etch and peasant slaVe am I' ! Is it not monstrous, that this player he're, (B'ut in a fTction, in a dr'eam of p'assion,) Could force his soul/ so'...conce'it, That, from her w'orking, all his vi'sage warm'ed, Tea'rs in his ey'es, distra'ction in his asp'ect, A broken voTce, and his whole fu'nction/...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - Elocution - 1845 - 384 pages
...the other. O v\hal a rogue and peasant slave am I ! Is It not monstrous, that this player here, Bui In a fiction, in a dream of passion, Could force his soul so to his own conceit, TII t from her working, all his visage warm'd, Tuars in his eyes, distraction In hts aspect, A broken...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - Elocution - 1845 - 320 pages
...DUTY. О what a rogue and peasant slave am I ; Is it not monstrous, that this player here, Bui in л fiction, in a dream of passion, Could force his soul so to his own counsel, That, from her working, all his visage warmed ; Tears in his eyes, distraction in his aspect,...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - Elocution - 1845 - 384 pages
...what a rogue and peasant slave am I ; Is it not monstrous, that this player here, But in л nftion. in a dream of passion, Could force his soul so to his own counsel, Thai, from her working, all his visage warmed ; Tears in his eijtt, distraction m his aspect,...
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Elocution, Or, Mental and Vocal Philosophy: Involving the Principles of ...

C. P. Bronson - Elocution - 1845 - 320 pages
...praise, but ns one leads the other. 0 what a rogue and peasant slave am I! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, 1 'mild force his soul so to bis own conceit. That from her working, all his visage warm'd. Tears in...
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The Lives of the Lord Chancellors and Keepers of the Great Seal of England ...

John Campbell Baron Campbell - Judges - 1846
...inferior to those of the player in Hamlet, who — " But in a fiction, in a dream of passion, Could form his soul so to his own conceit, That from her working...distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit." Some say that he entered the room, having under his arm...
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