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" For lo ! in some poor rhythmic period, Lady, I fain would tell how evermore Thy soul I know not from thy body, nor Thee from myself, neither our love from God. "
The New Laokoon: An Essay on the Confusion of the Arts - Page 99
by Irving Babbitt - 1910 - 258 pages
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English Poetry of the Nineteenth Century: A Connected Representation of ...

George Roy Elliott, Norman Foerster - English poetry - 1923 - 864 pages
...£,Even as that sea which Israel crossed dryshod? O— ? For lo! in some poor rhythmic period, &-S Lady, I fain would tell how evermore (Thy soul I know...body, nor Thee from myself, neither our love from God.C-' Yea, in Gbd's name, and Love's, and thine, would I cDraw from one loving heart such evidence...
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A History of English Literature

John Buchan - English literature - 1923 - 746 pages
...continually seeking. For him, Beauty stood for the united body and soul, united so completely that Thy soul I know not from thy body, nor Thee from myself, neither our love from God. — House of Life, V. Thus love was transformed into a mystical, spiritual passion — redeemed almost...
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Victorian Poetry

Clarence Edward Andrews, Milton Oswin Percival - English poetry - 1924 - 624 pages
...yield up the shore Even as that sea which Israel crossed dryshod? For'lo! in some poor rhythmic period, Lady, I fain would tell how evermore Thy soul I know...body, nor Thee from myself, neither our love from God. Yea, in God's name, and Love's, and thine, would I Draw from one loving heart such evidence As to all...
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British Poets of the Nineteenth Century, Part 2

Curtis Hidden Page - English poetry - 1910 - 966 pages
...crossed dryshod? For lo ! ih some poor rhythmic period. Lady. I fidii would tell how evermore Thy soul 1 s keener pangs, Though feminine, than any of her sons : More though Ood. Yea, in God's name, and Love's, and thine, would I Draw from one loving heart such evidence As...
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Studier fra sprog- og oldtidsforskning, Issue 136

History, Ancient - 1925 - 106 pages
...denne monistiske opfattelse er han i overensstemmelse med Rossetti's »Lady, I fain would tell you evermore Thy soul I know not from thy body, nor Thee from myself, neither our love from God«. Forskellen beror blot på, at denne følelse hos Swinburne virker med en sådan intensitet, at den...
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Common-sense and the Muses

David Graham - Aesthetics - 1925 - 380 pages
...the poet and given rise to his question. He continues :— " For lo ! in some poor rhythmic period, Lady I fain would tell how evermore Thy soul I know not from the body, nor Thee from myself, neither our love from God." Is it an involuntary expression of muddled...
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Sex Expression in Literature

Victor Francis Calverton - English literature - 1926 - 378 pages
...love from heavenly, and insisted upon viewing the body and soul of woman as one and the same entity. "Thy soul I know not from thy body, nor Thee from myself, neither our love from God." Such profanity of utterance was met with scathing stricture. In the Contemporary Review Rossetti was...
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So You're Going to England!

Clara Elizabeth Laughlin - England - 1926 - 652 pages
...last four lines of the octette of the sonnet ' Heart's Hope': For lo! in some poor rhythmic period, Lady, I fain would tell how evermore Thy soul I know not from the body, nor Thee from myself, neither our love from God. But if you have hot in your pocket a tiny...
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The Atlantic Monthly, Volume 49

American essays - 1882 - 914 pages
...mirror. What, also, does Mr. Rossetti finally tell us of love ? He says to his lady in one place : — " Thy soul I know not from thy body, nor Thee from myself, neither our love from God." In another he says : — " And when she kissed, her mouth became her soul." There is truth in these...
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The Bookman, Volume 41

Book collecting - 1915 - 894 pages
...by the name of "modern love," and could say, with the greatest lyric celebrant of this phenomenon, "Thy soul I know not from thy body, nor thee from myself, neither our love from God." It was this impulsion that moved in the mind of RLS when he determined to cut himself off from his...
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