 | Charles Edwyn Vaughan - Criticism - 1896 - 219 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Samuel Taylor Coleridge - Criticism - 1898 - 440 pages
...fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in...irremissive, though gentle and unnoticed, control (loons effertwr habenis) reveals itself in the balance or reconciliation uŁ opposite or discordant... | |
 | Jeremiah Wesley Bray - Criticism - 1898 - 345 pages
...a tone and spirit of unity that blends, and, as it were, fuscs_eaeh into each, by that synthetical and magical power to which I would exclusively appropriate the name of imagination. 1817. ID., p. 374. Imagination seems insufficient of itself to produce diction always vivid and poetipal,... | |
 | Samuel Taylor Coleridge - Aesthetics - 1907
...which we have exclusively appropriated the name of imagination. This power, first put in action by 15 the will and understanding, and retained under their irremissive, though gentle and unnoticed, controul (laxis effertur habenis) reveals itself in the balance or reconciliation of opposite or discordant... | |
 | William Tenney Brewster - English literature - 1907 - 379 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were) fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Samuel Taylor Coleridge - Criticism - 1908 - 266 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of Imagination. This power, first put in action by the will... | |
 | John Matthews Manly - English prose literature - 1909 - 544 pages
...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in...irremissive, though gentle and unnoticed, control (laxis effertur habenis ]) reveals itself in the balance or reconciliation of opposite or discordant qualities... | |
 | John Matthews Manly - English poetry - 1909 - 544 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | George Benjamin Woods - England - 1916 - 1432 pages
...such tbiug as a long poem. • Biographia Utcraria, 4. spirit of unity, that blends, and (as it were) and, finally, As in the eye of Nature he has lived,...the eye of Nature let him die! NUTTING 1799 1800 5 power, first put in action by the will and understanding, and retained under their irremissive, though... | |
 | John Matthews Manly - English literature - 1916 - 792 pages
...fuses, each into each, by that synthetic and magical power, to -which we have exclusively appropriated the second edition he added ' a preface of considerable...length ; in which, notwithstanding some passages of app irremissive,1 though gentle and unnoticed, control (laxis ejferlur habenis 2) reveals itself in the... | |
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The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it... 
