 | Franklyn Bliss Snyder, Robert Grant Martin - English literature - 1916 - 889 pages
...power, to which we have exclusively appropriated the name of imagination. This power, first put [350 in action by the will and understanding, and retained...irremissive, though gentle and unnoticed, control (laxis effertur habenis), reveals itself in the balance or reconciliation of opposite or discordant qualities:... | |
 | John Matthews Manly - English literature - 1916 - 792 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) the reason why ; For is He not all but thou, that hast power to fee we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Franklyn Bliss Snyder - English literature - 1916 - 889 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) @ 1 we have exclusively appropriated the name of imagination. This power, first put [350 in action by the... | |
 | John Matthews Manly - English literature - 1916 - 792 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) ning ! And now 'twas like all instruments, Now like a lonely flute; we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Raymond Macdonald Alden - English prose literature - 1917 - 685 pages
...fuses each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in...irremissive, though gentle and unnoticed, control (laxis effertur habenis),1 reveals itself in the balance or reconciliation of opposite or discordant qualities:... | |
 | Raymond Macdonald Alden - English Prose Literature - 1917 - 695 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends and (as it were) fuses each into each, by that synthetic and magical power to which we have exclusively" appropriated the name of imagination. This power, first put in action by the will... | |
 | Modern Language Association of America - Languages, Modern - 1921
...as described by Coleridge : " He diffuses a tone and spirit of unity, that blends, and as it were, fuses, each into each, by that synthetic and magical...exclusively appropriate the name of Imagination." The extraordinary wealth of idea and of image possessed by Keats, his delicate and sensitive workmanship,... | |
 | Raymond Macdonald Alden - Criticism - 1921 - 410 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends and (as it were) fuses each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Sir Henry John Newbolt - English literature - 1922 - 1011 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical...irremissive, though gentle and unnoticed, control, laxis effertur habenis, reveals itself in the balance or reconcilement of opposite or discordant qualities... | |
 | William Tenney Brewster - English literature - 1922 - 379 pages
...fuses, each into each, by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in...irremissive, though gentle and unnoticed, control (taxis effertur habenis),1 reveals itself in the balance or reconciliation of opposite or discordant... | |
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The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it... 
