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" The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it... "
Biographia Literaria; Or, Biographical Sketches of My Literary Life and Opinions - Page 451
by Samuel Taylor Coleridge - 1847 - 804 pages
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George Grant and the Subversion of Modernity: Art, Philosophy, Politics ...

Arthur Davis - Philosophy - 1996 - 346 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses each into each, by that synthetic and magical...exclusively appropriate the name of Imagination. This power ... reveals itself in the balance or reconcilement of opposite or discordant qualities: of sameness...
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The Theory of Inspiration: Composition as a Crisis of Subjectivity in ...

Timothy Clark - Literary Criticism - 1997 - 312 pages
...all the faculties of the mind delighting in the exercise of their mutual harmony. The imagination is 'first put in action by the will and understanding...under their irremissive, though gentle and unnoticed controuT (Biographia, II, p. 16) It reveals itself as a principle of polarity, expressing and yet reconciling...
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Electronic Text: Investigations in Method and Theory

Kathryn Sutherland, Professor of Bibliography and Textual Criticism Kathryn Sutherland - Literary Criticism - 1997 - 245 pages
...into activity, . . . He diffuses a tone and spirit of unity. that blends. and (as it werel fuses earh into each. by that synthetic and magical power. to...would exclusively appropriate the name of Imagination' (Coleridge. Riogmphia Literaria. ch, 14i. SELECT BIBLIOGRAPHY ALTHUSSER. Louis. 'Ideology and Ideological...
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Theory as Practice: A Critical Anthology of Early German Romantic Writings

Jochen Schulte-Sasse, Haynes Horne - Literary Criticism - 1997 - 479 pages
...their relative worth of dignity. He diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power . . . reveals itself in the balance...
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Textual Transgressions: Essays Toward the Construction of a Biobibliography

David C. Greetham, Distinguished Professor David Greetham - Literary Criticism - 1998 - 602 pages
...of Print Culture in the Copyright Debate of i 837-i 842," Victorian Studies 23(i 994): (as it were) fuses each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination" (Btographia Literaria i4). The implications...
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Unity in Diversity Revisited?: British Literature and Culture in the 1990s

Barbara Korte, Klaus Peter Müller - English literature - 1998 - 274 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will...
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Taming the Chaos: English Poetic Diction Theory Since the Renaissance

Emerson R. Marks - Literary Criticism - 1998 - 413 pages
...the whole human psyche. The poet diffuses a tone, and spirit of unity, that blends, and (as it were) fuses each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will...
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Text: An Interdisciplinary Annual of Textual Studies, Volume 10

W. Speed Hill - Literary Collections - 1998 - 448 pages
...soul of man into activity. , . . He diffuses a tone and spirit of unity, that blends, and (as it were) fuses each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination," Btographia Literaria, chap, xiv, ed. James...
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Semiotics of Language, Literature, and Culture

Vennelaṇṭi Prakāśam - Culture - 1999 - 168 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination." KSS with his "disposition to be affected...
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Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge

J. Douglas Kneale - Literary Criticism - 1999 - 227 pages
...sentence states that the poet "diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination" (Coleridge's emphasis). I am alerted by the...
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