 | Arthur Davis - Philosophy - 1996 - 346 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses each into each, by that synthetic and magical...exclusively appropriate the name of Imagination. This power ... reveals itself in the balance or reconcilement of opposite or discordant qualities: of sameness... | |
 | Timothy Clark - Literary Criticism - 1997 - 312 pages
...all the faculties of the mind delighting in the exercise of their mutual harmony. The imagination is 'first put in action by the will and understanding...under their irremissive, though gentle and unnoticed controuT (Biographia, II, p. 16) It reveals itself as a principle of polarity, expressing and yet reconciling... | |
 | Jochen Schulte-Sasse, Haynes Horne - Literary Criticism - 1997 - 479 pages
...their relative worth of dignity. He diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power . . . reveals itself in the balance... | |
 | David C. Greetham, Distinguished Professor David Greetham - Literary Criticism - 1998 - 602 pages
...of Print Culture in the Copyright Debate of i 837-i 842," Victorian Studies 23(i 994): (as it were) fuses each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination" (Btographia Literaria i4). The implications... | |
 | Barbara Korte, Klaus Peter Müller - English literature - 1998 - 274 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | Emerson R. Marks - Literary Criticism - 1998 - 413 pages
...the whole human psyche. The poet diffuses a tone, and spirit of unity, that blends, and (as it were) fuses each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | W. Speed Hill - Literary Collections - 1998 - 448 pages
...soul of man into activity. , . . He diffuses a tone and spirit of unity, that blends, and (as it were) fuses each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination," Btographia Literaria, chap, xiv, ed. James... | |
 | Vennelaṇṭi Prakāśam - Culture - 1999 - 168 pages
...their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination." KSS with his "disposition to be affected... | |
 | J. Douglas Kneale - Literary Criticism - 1999 - 227 pages
...sentence states that the poet "diffuses a tone, and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination" (Coleridge's emphasis). I am alerted by the... | |
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The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it... 
