 | Pauline Kiernan - Drama - 1998 - 236 pages
...HAMLET 'Is it not monstrous', Hamlet asks, that it is the fictitiousness of drama which compels belief? O what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect,... | |
 | Drama - 1996 - 264 pages
...the room. HAMLET (continuing) O, what a rogue and peasant slave am I! Is it not monstrous that tins player here, But in a fiction, in a dream of passion,...conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms... | |
 | Richard Halpern - Drama - 1997 - 308 pages
...player recites a speech about the death of Priam, prompting one of Hamlet's notorious soliloquies: O, what a rogue and peasant slave am I! Is it not...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function... | |
 | Moses Mendelssohn - Philosophy - 1997 - 370 pages
...that Shakespeare is able to draw from these common circumstances - the Prince speaks with himself: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect,... | |
 | Charles Segal - Drama - 1997 - 446 pages
...ii ""£•• / • •«*• <• •••• / •••• Metatragedy: Art, Illusion, Imitation Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting,... | |
 | Elena Alexander, Douglas Dunn - Choreographers - 1998 - 204 pages
...through this routine, and I am now thinking . . . No, I will let you in on what Hamlet is thinking: Is it not monstrous that this player here, But in...conceit That from her working all his visage wanned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms... | |
 | Stephen Orgel, Sean Keilen - Literary Criticism - 1999 - 356 pages
...been so eager for a passionate speech is yet surprised when it comes and when it seizes the player: O, what a rogue and peasant slave am I! Is it not...conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms... | |
 | William Shakespeare - Drama - 1999 - 324 pages
...welcome to FJsinore. ROSENCRANTZ Good my lord. 500 Exeunt Rosencrantz and Guildenstern HAMLET Ay so, God bye to you. Now I am alone. O what a rogue and peasant...passion, Could force his soul so to his own conceit 505 That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken... | |
 | Tom Lutz - Psychology - 2001 - 358 pages
...dramatic art and the riddle of human empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function... | |
 | Joan Ackermann - Drama - 1999 - 60 pages
...a slice of pizza in it is on the passenger seat. GABE. Now I am alone. O, what a rogue and pleasant slave am I! Is it not monstrous that this player here,...his own conceit That from her working all his visage waned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
| |
O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's... 
