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" I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But... "
The Monthly Epitome - Page 93
1802
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Marcus is Walking

Joan Ackermann - Drama - 1999 - 60 pages
...passenger seat. GABE. Now I am alone. O, what a rogue and pleasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage waned, Tears...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - Psychology - 2001 - 358 pages
...one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all the visage wann'd, Tears...
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Bound to Act: Models of Action, Dramas of Inaction

Valeria Wagner - Philosophy - 1999 - 288 pages
...Hamlet wonders at the First Player's ability to play his part so convincingly: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - Drama - 1999 - 362 pages
...sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - Drama - 1999 - 362 pages
...sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - Family & Relationships - 2000 - 252 pages
...Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears...
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Shakespeare and Masculinity

Bruce R. Smith - Literary Criticism - 2000 - 194 pages
...has, in physical fact, breathed in the very spirit of Hecuba. 'Is it not monstrous', Hamlet wonders, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned....
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke

William Shakespeare - Drama - 2001 - 304 pages
...Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd,...
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Guilty Creatures : Renaissance Poetry and the Ethics of Authorship ...

Dennis Kezar Assistant Professor of English Vanderbilt University - Literary Criticism - 2001 - 282 pages
...interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd, Tears...
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The Klingon Hamlet

Lawrence Schoen - Fiction - 2001 - 240 pages
...Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wan'd; Tears...
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