 | William Tenney Brewster - English literature - 1907 - 424 pages
...individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual...our sympathy with the poetry. Doubtless, as Sir John Da vies observes of the soul (and his words may with slight alteration be applied, and even more appropriately,... | |
 | Samuel Taylor Coleridge - Aesthetics - 1907 - 348 pages
...old and familiar objects ; a more than usual state of emotion, with more than usual order ; judgement ever awake and steady self-possession, with enthusiasm and feeling profound or vehement ; and '5 while it blends and harmonizes the natural and the artificial, still subordinates art to nature... | |
 | Samuel Taylor Coleridge - Criticism - 1908 - 316 pages
...old and familiar objects ; a more than usual state of emotion with more than usual order; judgement ever awake and steady self-possession with enthusiasm...manner to the matter, and our admiration of the poet to the sympathy with the poetry.' There is not much help here; it is rhetoric, not criticism. And when... | |
 | John Matthews Manly - English prose literature - 1909 - 570 pages
...individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual...feeling profound or vehement; and while it blends and harmonises the natural and the artificial, still subordinates art to nature; the manner to the matter;... | |
 | Franklyn Bliss Snyder, Robert Grant Martin - English literature - 1916 - 944 pages
...with the representative; the sense of novelty and freshness, with [360 old and familiar objects; a more than usual state of emotion, with more than usual...admiration of the poet to our sympathy with the poetry. "Doubt- [370 less," as Sir John Davies observes of the soul (and his words may with slight alteration... | |
 | John Matthews Manly - English literature - 1916 - 806 pages
...individual, with the representative; the sense of novelty and freshness, with old and familiar objects : a e affirmed that rhyme and metrical arrangement of...strict affmity of metrical language with that of pro harmonises the natural and the artificial, still subordinates art to nature ; the manner to the matter... | |
 | John Matthews Manly - English literature - 1916 - 828 pages
...individual, with the representative ; the sense of novelty and freshness, with old and familiar objects: a e source, and end, and test of Art. Art from that...show, and without pomp presides: 75 In some fair body harmonises the natural and the artificial, still subordinates art to nature; the manner to the matter;... | |
 | George Benjamin Woods - England - 1916 - 1604 pages
...individual, with the representative ; the sense of novelty and freshness, with old 15 and familiar objects; a is grasp, will that encounter rue. Waked by the crowd,...swoln with sleep: 210 His calm, broad, thoughtless 20 and harmonizes the natural and the artificial, still subordinates art to nature; the manner to the... | |
 | Raymond Macdonald Alden - English prose literature - 1917 - 362 pages
...individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual..."Doubtless," as Sir John Davies observes of the soul (and his words may with slight alteration be applied, and even more appropriately, to the poetic imagination),... | |
 | Alice Dorothea Snyder - 1918 - 76 pages
...individual with the representative ; the sense of novelty and freshness with old and familiar objects ; a more than usual state of emotion with more than usual...self-possession with enthusiasm and feeling profound or vehement."2 No one pair of these opposites can be taken as more fundamental than any other. Whatever... | |
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... a more than usual state of emotion with more than usual order; judgment ever awake and steady self-possession with enthusiasm and feeling profound or vehement; and while it blends and harmonizes the natural and the artificial, still subordinates art... 
