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" Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is it is productive... "
The Works of the Right Honourable Edmund Burke: A vindication of natural ... - Page 74
by Edmund Burke - 1889
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Screenplay: Cinema/videogames/interfaces

Geoff King, Tanya Krzywinska - Computer games - 2002 - 242 pages
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror' (Burke 1759: 58). And it results in 'the strongest emotion which the mind is capable of feeling' (Ibid.)....
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Nature Writing: The Pastoral Impulse in America

Don Scheese - Literary Criticism - 2002 - 260 pages
...example of the sublime — a phenomenon, according to the 17th-century English philosopher Edmund Burke, "productive of the strongest emotion which the mind is capable of feeling." In delineating a theory of the sublime Burke adds that "astonishment ... is the effect of the sublime...
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Thomas Jefferson, Landscape Architect

Frederick Doveton Nichols, Ralph E. Griswold - Architecture - 1978 - 228 pages
...any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...strongest emotion which the mind is capable of feeling." It was this feeling of terror which Jefferson described when he visited the Natural Bridge: it is "the...
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Edmund Burke and Ireland: Aesthetics, Politics and the Colonial Sublime

Luke Gibbons - Literary Criticism - 2003 - 326 pages
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...strongest emotion which the mind is capable of feeling. . .When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible:...
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Love and Friendship: Rethinking Politics and Affection in Modern Times

Eduardo A. Velásquez - Family & Relationships - 2003 - 672 pages
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...the strongest emotion which the mind is capable of feeling.11 The beautiful, on the other hand, he associated with pleasure and society: I call beauty...
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The Castle of Otranto and The Mysterious Mother

Horace Walpole - Fiction - 2003 - 364 pages
...sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates...productive of the strongest emotion which the mind 1 Thomas Warton, "The Pleasures of Melancholy," line 44. Like Burkes oxymoronic "delightful terror,"...
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In the Mind's Eye: The Visual Impulse in Diderot, Baudelaire and Ruskin

Alexandra Wettlaufer - Visual perception in literature - 2003 - 316 pages
...role of the sublime in the Romantic sensibility and early modem aesthetics. in any sort terrible or is conversant about terrible objects, or operates...analogous to terror, is a source of the sublime." This pain and danger, generally associated with fear of death, are delightful according to Burke, when...
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"Homer des Nordens" und "Mutter der Romantik": James ..., Volumes 1-2

Wolf Gerhard Schmidt - Literary forgeries and mystifications - 2003 - 612 pages
...verbunden. Für Burke erweist es sich als "the strongest emotion which the mind is capable of feeling", denn "the ideas of pain are much more powerful than those which enter on the part of pleasure".218 Um ein Gefühl von Erhabenheit zu generieren, darf die Gefahr jedoch nicht als unmittelbare...
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Knowledge and Indifference in English Romantic Prose

Tim Milnes - Literary Criticism - 2003 - 294 pages
...the sublime originates from objects 'fitted in any sort to excite the ideas of pain', and that these 'ideas of pain are much more powerful than those which enter on the part of pleasure', but further, that 'at certain distances, and with certain modifications, they may be, and they are...
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Art in Its Time: Theories and Practices of Modern Aesthetics

Paul Mattick - Art - 2003 - 202 pages
...any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror" — at any rate, "at certain distances" from danger, when fear gives way to the de\ightfu\ frisson...
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